England -- Social life and customs -- 19th century -- Fiction; English fiction -- 19th century
She must sing again. They were not going to be left with hungry ears
after a song like that. Thyrza still suffered from the sense that she
was doing wrong, but the praise was so sweet to her; sweeter, she
thought, than anything she had ever known. She longed to repeat her
triumph.
Totty named another song; the faint resistance was overcome, and again
the room hushed itself, every hearer spellbound. It was a voice well
worthy of cultivation, excellent in compass, with rare sweet power.
Again the rapturous applause, and again the demand for more. Another!
she should not refuse them. Only one more and they would be content.
And a third time she sang; a third time was borne upwards on clamour.
'Totty, I _must_ go,' she whispered. 'What's the time?'
'It's only just after ten,' was the reply. 'You'll soon run home.'
'After ten? Oh, I must go at once!'
She left her place, and as quickly as possible made her way through the
crowd. Just at the door she saw a face that she recognised, but a
feeling of faintness was creeping upon her, and she could think of
nothing but the desire to breathe fresh air. Already she was on the
stairs, but her strength suddenly failed; she felt herself falling,
felt herself strongly seized, then lost consciousness.
She came to herself in a few minutes in the bar-parlour; the landlady
was attending to her, and the door had been shut against intruders. Her
first recognition was of Luke Ackroyd.
'Don't say anything,' she murmured, looking at him imploringly. 'Don't
tell Lyddy.'
'Not I,' replied Ackroyd. 'Just drink a drop and you'll be all right.
I'll see you home. You feel better, don't you?'
Yes, she felt better, though her head ached miserably. Soon she was
able to walk, and longed to hasten away. The landlady let her out by
the private door, and Ackroyd went with her.
'Will you take my arm?' he said, speaking very gently, and looking into
her face with eloquent eyes. 'I'm rare and glad I happened to be there.
I heard you singing from downstairs, and I asked, Who in the world's
that? I know now what Mr. Boddy means when he talks so about your
voice. Won't you take my arm, Miss Trent?'
'I feel quite well again, thank you,' she replied. 'I'd no business to
be there, Mr. Ackroyd. Lyddy 'll be very angry; she can't help hearing.'
'No, no! she won't be angry. You tell her at once. You were with Totty
Nancarrow, I suppose? Oh, it'll be all right. But of course it isn't
the kind of place for you, Miss Trent.'
She kept silence. They were walking through a quiet street where the
only light came from the gas-lamps. Ackroyd presently looked again into
her face.
'Will you come out to-morrow?' he asked, softly.
'Not to-morrow, Mr. Ackroyd.' She added: 'If I did I couldn't come
alone. It is better to tell you at once, isn't it? I don't mind with my
sister, because then we just go like friends; but I don't want to have
people think anything else.'
Public-domain text, read in full here on John Shaqi.
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