carved out of one of the most beautiful, but perishable, red
Carboniferous sandstone and limestone. There is a maze of beautiful
and intricate lines in the latter, a wilderness of temple-like forms
and monumental remains, and noble architectural profiles that
delight while they bewilder the eye. Yosemite has much greater
simplicity, and is much nearer the classic standard of beauty. Its
grand and austere features predominate, of course, but underneath
these and adorning them are many touches of the idyllic and the
picturesque. Its many waterfalls fluttering like white lace against
its vertical granite walls, its smooth, level floor, its noble pines
and oaks, its open glades, its sheltering groves, its bright, clear,
winding river, its soft voice of many waters, its flowers, its
birds, its grass, its verdure, even its orchards of blooming apple
trees, all inclosed in this tremendous granite frame--what an
unforgettable picture it all makes, what a blending of the sublime
and the homelike and familiar it all is! It is the waterfalls that
make the granite alive, and bursting into bloom as it were. What a
touch they give! how they enliven the scene! What music they evoke
from these harps of stone!
The first leap of Yosemite Falls is sixteen hundred feet--sixteen
hundred feet of a compact mass of snowy rockets shooting downward
and bursting into spray around which rainbows flit and hover. The
next leap is four hundred feet, and the last six hundred. We tried
to get near the foot and inspect the hidden recess in which this
airy spirit again took on a more tangible form of still, running
water, but the spray over a large area fell like a summer shower,
drenching the trees and the rocks, and holding the inquisitive
tourist off at a safe distance. We had to beat a retreat with
dripping garments before we had got within fifty yards of the foot
of the fall. At first I was surprised at the volume of water that
came hurrying out of the hidden recess of dripping rocks and
trees--a swiftly flowing stream, thirty or forty feet wide, and four
or five feet deep. How could that comparatively narrow curtain of
white spray up there give birth to such a full robust stream? But I
saw that in making the tremendous leap from the top of the
precipice, the stream was suddenly drawn out, as we stretch a rubber
band in our hands, and that the solid and massive current below was
like the rubber again relaxed. The strain was over, and the united
waters deepened and slowed up over their rocky bed.
Yosemite for a home or a camp, the Grand Canon for a spectacle. I
have spoken of the robin I saw in Yosemite Valley. Think how forlorn
and out of place a robin would seem in the Grand Canon! What would
he do there? There is no turf for him to inspect, and there are no
trees for him to perch on. I should as soon expect to find him amid
the pyramids of Egypt, or amid the ruins of Karnak. The bluebird was
in the Yosemite also, and the water-ouzel haunted the lucid waters.
Public-domain text, read in full here on John Shaqi.
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