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Transcriber's note:
Text enclosed by underscores is in italics (_italics_).
The notation "_{n}" means that n is a subscript.
Small capital text has been converted to all uppercase.
TIME AND ITS MEASUREMENT
by
JAMES ARTHUR
Reprinted from
Popular Mechanics Magazine
Copyright, 1909, By H. H. Windsor
Chicago, 1909
CONTENTS
CHAPTER I
HISTORIC OUTLINE
Time as an abstraction. -- Ancient divisions of day and night.
-- Night watches of the Old Testament. -- Quarter days and hours
of the New Testament. -- Shadow, or sun time. -- Noon mark dials.
-- Ancient dials of Herculaneum and Pompeii. -- Modern dials. --
Equation of time. -- Three historic methods of measuring time. --
"Time-boy" of India. -- Chinese clepsydra. -- Ancient weather and
time stations. -- Tower of the winds, Athens, Greece Page 13
CHAPTER II
JAPANESE CLOCKS
Chinese and Japanese divisions of the day. -- Hours of varying
length. -- Setting clocks to length of daylight. -- Curved line
dials. -- Numbering hours backwards and strange reasons for
same. -- Daily names for sixty day period. -- Japanese clock
movements practically Dutch. -- Japanese astronomical clock. --
Decimal numbers very old Chinese. -- Original vertical dials
founded on "bamboo stick" of Chinese clepsydra. -- Mathematics
and superstition. -- Mysterious disappearance of hours 1, 2, 3.
-- Eastern mental attitude towards time. -- Japanese methods of
striking hours and half hours Page 25
CHAPTER III
MODERN CLOCKS
De Vick's clock of 1364. -- Original "verge" escapement. --
"Anchor" and "dead beat" escapements. -- "Remontoir" clock. --
The pendulum. -- Jeweling pallets. -- Antique clock with earliest
application of pendulum. -- Turkish watches. -- Correct designs
for public clock faces. -- Art work on old watches. -- 24-hour
watch. -- Syrian and Hebrew hour numerals. -- Correct method of
striking hours and quarters. -- Design for 24-hour dial and
hands. -- Curious clocks. -- Inventions of the old clock-makers
Page 37
CHAPTER IV
ASTRONOMICAL FOUNDATION OF TIME
Public-domain text, read in full here on John Shaqi.
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