Time and Tide by Weare and Tyne: Twenty-five Letters to a Working Man of Sunderland on the Laws of WorkRuskin, John
Philosophy
Time and Tide by Weare and Tyne: Twenty-five Letters to a Working Man of Sunderland on the Laws of Work
Ruskin, John
Social sciences; Working class -- Great Britain
48. One word more is needful, though this letter is long already. The
peculiar ghastliness of this Swiss mode of festivity is in its utter
failure of joy; the paralysis and helplessness of a vice in which
there is neither pleasure, nor art. But we are not, throughout Europe,
wholly thus. There is such a thing, yet, as rapturous song and dance
among us, though not indicative, by any means, of joy over repentant
sinners. You must come back to Paris with me again. I had an evening
to spare there, last summer, for investigation of theaters; and as
there was nothing at any of them that I cared much about seeing, I
asked a valet-de-place at Meurice's what people were generally going
to. He said, "All the English went to see the _Lanterne Magique_." I
do not care to tell you what general entertainment I received in
following, for once, the lead of my countrymen; but it closed with
the representation of the characteristic dancing of all ages of the
world; and the dance given as characteristic of modern time was the
Cancan, which you will see alluded to in the extract given in the note
at page 80 of 'Sesame and Lilies' (the small edition; and page 54 of
Vol. I. of the Revised Series of the Entire Works). "The ball
terminated with a Devilish Chain and a Cancan of Hell, at seven in the
morning." It was led by four principal dancers (who have since
appeared in London in the _Huguenot Captain_), and it is many years
since I have seen such perfect dancing, as far as finish and accuracy
of art and fulness of animal power and fire are concerned. Nothing
could be better done, in its own evil way, the object of the dance
throughout being to express, in every gesture, the wildest fury of
insolence and vicious passions possible to human creatures. So that
you see, though, for the present, we find ourselves utterly incapable
of a rapture of gladness or thanksgiving, the dance which is presented
as characteristic of modern civilization is still rapturous
enough--but it is with rapture of blasphemy.
LETTER X.
THE MEANING AND ACTUAL OPERATION OF SATANIC OR DEMONIACAL INFLUENCE.
_March 16, 1867._
49. You may gather from the facts given you in my last letter that, as
the expression of true and holy gladness was in old time statedly
offered up by men for a part of worship to God their Father, so the
expression of false and unholy gladness is in modern times, with as
much distinctness and plainness, asserted by them openly to be offered
to another spirit: "Chain of the Devil," and "Cancan of Hell" being
the names assigned to these modern forms of joyous procession.
Public-domain text, read in full here on John Shaqi.
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