Shipwrecks -- North Atlantic Ocean -- History; Titanic (Steamship)
As you have entered the narrow channel a new sound, also far different
from the liquid sounds of the sea, falls on your ear; at first a low
sonorous murmuring like the sound of bees in a giant hive, that rises to
a ringing continuous music—the multitudinous clamour of thousands of
blows of metal on metal. And turning to look whence the sound arises you
seem indeed to have left the last of the things of the sea behind you;
for on your left, on the flattest of the mud flats, arises a veritable
forest of iron; a leafless forest, of thousands upon thousands of bare
rusty trunks and branches that tower higher than any forest trees in our
land, and look like the ruins of some giant grove submerged by the sea
in the brown autumn of its life, stripped of its leaves and laid bare
again, the dead and rusty remnants of a forest. There is nothing with
any broad or continuous surface—only thousands and thousands of iron
branches with the gray sky and the smoke showing through them
everywhere, giant cobwebs hanging between earth and the sky, intricate,
meaningless networks of trunks and branches and sticks and twigs of
iron.
But as you glide nearer still you see that the forest is not lifeless,
nor its branches deserted. From the bottom to the topmost boughs it is
crowded with a life that at first seems like that of mites in the
interstices of some rotting fabric, and then like birds crowding the
branches of the leafless forest, and finally appears as a multitude of
pigmy men swarming and toiling amid the skeleton iron structures that
are as vast as cathedrals and seem as frail as gossamer. It is from them
that the clamour arises, the clamour that seemed so gentle and musical a
mile away, and that now, as you come closer, grows strident and
deafening. Of all the sounds produced by man’s labour in the world this
sound of a great shipbuilding yard is the most painful. Only the
harshest materials and the harshest actions are engaged in producing it:
iron struck upon iron, or steel smitten upon steel, or steel upon iron,
or iron upon steel—that and nothing else, day in, day out, year in and
year out, a million times a minute. It is an endless, continuous
birth-agony, that should herald the appearance of some giant soul. And
great indeed should be the overture to such an agony; for it is here
that of fire and steel, and the sweat and pain of millions of hours of
strong men’s labour, were born those two giant children that were
destined by man finally to conquer the sea.
Public-domain text, read in full here on John Shaqi.
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