It was a neighbourhood with a flavour distinct from that of the districts
about it. There the flat rows of six-roomed cottages, characterless all,
stretched everywhere, rank behind rank, in masses unbroken except by the
busier thoroughfares of shops. Here each little house asserted its
individuality by diversity of paint as much as by diversity of shape. It
was, indeed, the last stronghold of the shipwrights and mast-makers,
fallen from their high estate since the invasion of iron ships and
northern competition. In fact, Shipwrights’ Row was the name of a short
rank of cottages close by, with gardens in front, each with its mast and
flag complete. In other places, where the back-yards were very small,
the flagstaff and stays were apt to take to their use the whole space:
the pole rising from the exact centre, and a stay taking its purchase
from each extreme corner, so that anybody essaying a circuit must perform
it with many sudden obeisances. The little streets had an air of
cleanliness all their own, largely due to the fresh paint that
embellished whatsoever there was an excuse for painting. Many
front-doors were reached by two stone steps, always well whitened; and
whether there were steps or not, the flagstones before each threshold
were distinguished by a whited semicircle five feet in diameter. Noting
this curious fact as he tramped along one such street, Johnny was
startled by an angry voice close at his elbow, a voice so very sudden and
irate that he jumped aside ere he looked for the source. A red-faced
woman knelt within a door.
“Idle young faggit!” she said. “Stompin’ yer muddy boots all over my
clean step!” And she made so vigorous a grasp at a broom that Johnny
went five yards at a gallop.
Public-domain text, read in full here on John Shaqi.
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