Now truly there was no step of any sort to the house. And Johnny had but crossed the semicircle because he conceived the footpath to be public property, and because it was narrow. But he learnt, afterwards, that the semicircle was a sacred institution of the place, in as high regard among the women as its fellow-fetish, the flagstaff, was among the men; also that none but grown people—and those of low habits or in drink—dared trespass on it; and that it was always called “the step.” He learnt much, too, in the matter of paint. Every male inhabitant of Harbour Lane, Shipwrights’ Row, and the neighbouring streets, carried, in his leisure moments, a pipe, a pot of paint, and a brush. He puffed comfortably at the pipe, and stumped about his back (or front) garden with the paint-pot in one hand and the brush in the other, “touching-up” whatever paint would stick to. Rails, posts, water-butts, dustbins, clothes-posts, all were treated, not because they needed it (for they were scarce dry from the last coat), but because there was the paint, and there was the brush, and there was the leisure; and this was the only way to use all three. So that most things about the gardens took an interesting variety of tints in the run of the year, since it was rarely the case that the same colour was used twice in succession. When all wooden surfaces were covered, it was customary to take a turn at window-sills, rain-water pipes, and the stones or oyster-shells that bordered the little flower-beds; and when nothing else was left, then the paint-pot and the brush and the pipe were conveyed to the front, and the front-door, which had been green, became royal blue, or flaming salmon; as did the railings, if there were any, and the window-frames. Two things alone were not subject to such changes of complexion: the flagstaff and the brick pavings. For it was a law immutable that the flagstaffs should be speckless white, and the bricks a cheerful vermilion; this last a colour frequently renewed, because of nailed boots, but done in good oil paint, because of wet weather. Everything else took the range of the rainbow, and something beyond; so that it was possible, in those houses where two families lived, to tell at a glance whether the upstairs family were on terms of intimacy or merely of distant civility with the downstairs, by the colours, uniform or diverse, of the sills and the model fences that guarded the flower-pots on them. For the token and sign of friendship in Harbour Lane was the loan or the exchange of paint. It was the proper method of breaking the ice between new acquaintances, and was recognised as such by general sanction. The greeting, “Bit o’ blue paint any use to ye?” and the offer of the pot across the back fence, were the Harbour Lane equivalents of a call and cards; and the newcomer made early haste with an offer of yellow or green paint in return. Indeed, it was in this way that the paint arrived which