Paris (France) -- Social life and customs -- Fiction; Short stories, English
When she had dragged the things frantically out, she wrote to Amiens,
making herself responsible for the monthly payments. "All that his
mother did _I_ will do!" she wrote, feeling less criminal for the
phrase. And then one morning, tortured, she caught the express to the
town to see that all was well. The place was small and poor; and though
the baby looked well cared for, and the young woman and her husband
seemed kind, the visit was horrible to her. Next day she spent some of
the stolen money on a baby's bonnet and pelisse. And as the quality of
the gift suggested means, she received, before the date for her second
remittance, a scrawl declaring that the cost of provisions had risen
dreadfully, and asking for twenty francs a month more.
"RÉCITAL DONNÉ PAR MADEMOISELLE MARIE LAMANDE." A blue-and-white
poster, with her name staring Paris in the face. The time came when
she saw one on a wall, and stopped, thrilling at it in the rain. A week
afterwards she saw one on a wall again, and passed it with a sigh,
remembering the half-empty salle, and the cheques that she had drawn.
"Patience, mademoiselle, patience. An artist does not arrive in a
day; one must persevere." There were plenty of persons to give her
encouragement now that it might be advantageous to them.
But the expense of her début was a warning, and she proceeded slowly.
Though they made her feel very shy and cowardly, she did not succumb to
the arguments of vehement people who offered "opportunities the most
exceptional" at a big price, and whose attitudes of amazement implied
that she must be brainless to decline. She did not waste money in
bettering her abode. She did not, when she had given a recital again,
continue to imagine that the prize had provided a sum abundant for her
purpose.
The knowledge obsessed her that she owed this money, that one day she
was to repay it. For a year she told herself, "The road is harder than
I thought, but I shall reach the end of it in time!" During the second
year she struggled in a panic, while the money was melting, melting
without result.
To adventure a concert meant such wearisome, such overwhelming
preparation. And within a week it was as if it had never been--she
was again forgotten. But she saw a little chorus-girl, who had done
something more than ordinarily immodest, launch herself into celebrity
in a night.
At last, when she realised that she had wrecked her peace of mind for
nothing, when to cross the bridge was to eye the river longingly, she
knew that she wasn't free to find oblivion like that. Restitution to
the child would be impossible, but it was her destiny to support him.
She wrote to madame Herbelin, in Chauville, appealing for influence
to regain the footing that she had kicked away. Her bent face was wet
and ugly as she detailed the story of her failure; she foresaw the
greetings, tactful, but galling, of acquaintances, the half-veiled
satisfaction of other music-mistresses in the town.
Public-domain text, read in full here on John Shaqi.
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