Toilers of Babylon: A NovelFarjeon, B. L. (Benjamin Leopold)
General
Toilers of Babylon: A Novel
Farjeon, B. L. (Benjamin Leopold)
Inheritance and succession -- Fiction
She did not understand the drift of all he said, nor, indeed, did he
himself, nor was he aware that his speech was of a wandering nature.
He spoke enthusiastically, and sometimes he ran his fingers through
his hair; and although he did this rather perplexedly, there was no
indication in his manner of any want of confidence in himself or his
opinions. When Nansie said she had followed her heart, he kissed her
and said:
"And I followed mine; it led me here to your side, my dearest, and I
am happy. This is the loveliest morning! The rain has sweetened
everything--for us! You are teaching me things, Nansie. I had no idea
the early morning was so beautiful. The flowers, the dew--it is
wonderful. If I were a poet I should say the earth was covered with
jewels."
"You are a poet, Kingsley."
"No, no; I see things through your eyes. It is you who are the poet.
But I have written verses, too. The fellows say poetry doesn't pay,
and you must not encourage me. We must be sensibly worldly. What some
of the fellows used to say was that I was prone to be discursive, but
they were not judges. Between you and me, they were a little jealous
because I could talk. Well, the gift of oratory is not a bad one--I
don't say I have it, but I am seldom at a loss for words. It may not
be a gift--it may be an art which a man may cultivate. That brings me
back to my father. He was always fond of hearing me talk. He has often
said, 'Talk away, Kingsley; you shall be in the House one day.' You
know what I mean by the House, Nansie?--Parliament."
"I like to hear you speak of your father, Kingsley, and that he loves
you."
"He does, sincerely. He says I am to do great things, and that all his
hopes are centred in me. Why do you sigh, Nansie?"
"Did I sigh, Kingsley?" she asked, with feminine duplicity. "It must
be because I am overjoyed that we are together."
Public-domain text, read in full here on John Shaqi.
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