Toledo, the Story of an Old Spanish CapitalLynch, Hannah
History
Toledo, the Story of an Old Spanish Capital
Lynch, Hannah
Toledo (Spain) -- Description and travel; Toledo (Spain) -- History
Opposite the _Trasparente_ is the chapel of San Ildephonso. Painted on a
vault outside is an armed cavalier bearing a standard in one hand and an
emblazoned shield in the other. This is the famous Estevan Illan,
descended as we have seen from Don Pedro Paleologus, of imperial Greek
origin, and founder of the powerful family of the Toledos, since the
Dukes of Alba. The general effect of this chapel is costly rather than
beautiful. It is impossible not to be oppressed by the sensation of
display, not that it is in the least gaudy; it is too solidly wealthy
and artistic in its elaboration for that. The mouldings are rich, the
decorations are rich, and rich beyond calculation are the tombs. Grander
and less elaborate is the really great chapel of Santiago, better known
perhaps as the Constable's Chapel. This was built by Alvaro de Luna as a
vast mausoleum for himself and his wife. It is astonishingly bright when
you remember its dimensions and its imposing height; of sober taste
notwithstanding its flowered ogival style, subdued, while what the
Spaniards delight to call everything here, "sumptuous." The word indeed
may not be grudged in this instance, where it is sonorous and
appropriate. To do honour to this edifice, Don Alvaro de Luna commanded
truly miraculous tombs for himself and his wife, on which lay their
full-length figures in gilt-bronze, so fashioned that whenever mass was
recited, these life-sized figures rose from their recumbent attitudes,
and knelt during the service. On its conclusion, they quietly lay down
again. Such tombstones, had they remained, would speedily have turned
into a form of local entertainment for the townsfolk. But the great
Constable fell into his sovereign's disgrace, he poor, sorry, feeble
king, hounded into the basest ingratitude by the clamouring populace and
the Constable's jealous foes. So in the hour of his fall, the infante,
Don Enrique of Aragon, had the wonderful tombs with the gilt moving
statues, broken up, on which the Constable sarcastically addressed him
in verse:
"Si flota vos combatió
En verdad, señor infante
Mi bulto non vos prendió
Cuando fuistes mareante;
Porque ficiesedes nada
A una semblante figura,
Que estaba en mi sepultura
Para mi fui ordenada."
[Illustration: TOMBS OF COUNT ALVARO DE LUNA AND WIFE, THE CATHEDRAL,
TOLEDO]
Public-domain text, read in full here on John Shaqi.
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