his flock, ordered the mouth of the cave to be built up and covered with mud, 1543. Antonio Ponz, commenting on this prodigious and serious account given by Lozano of a fabulous cave and an impossible tale, makes merry over the naïve Spaniard's accuracy of description and facts. "One would really believe he had seen it all," writes the unenthusiastic Ponz, "the statue, the bronze, the _admirable_ sculpture, and had measured the extent of the cave." The same may be said of Lozano's grandiose description of the Roman buildings of which hardly a vestige remained in his time, 1666. The Circo Maximo, Gamero asserts, was built to hold a hundred thousand persons, from which we might infer that Toledo under the Romans had an important population. Approaching less apocryphal days, we learn that Toledo was one of the earliest towns of Spain to embrace Christianity. It is even said that St Peter and St James passed here, and some add St Paul, preaching the Gospel and creating bishops. St Eugenius, of Greek or Roman origin, was the first. The Spanish historians decline to accept the tradition that St Denis of Paris sent Eugenius to Spain, preferring to keep him in company with the Apostles. But it allows that he went to Paris to see St Denis, and here was martyred near the city by the prefect, Fescenino Sicino, his headless body being flung into a filthy lagoon so that his disciples and admirers should never be able to find it. Two hundred years later the lake gave up its dead, uncorrupted. One Ercoldo, being ill, saw St Denis in sleep, who told him to rise cured, and go to the lake, where he would find the body of the illustrious martyr awaiting burial. At the same time he promised for the sake of Eugenius, great health to the neighbourhood and the honour of many miracles. Pisa records this tale at some length with unction and faith. Several centuries later the emperor, Alfonso VII., grandson of the victor of Toledo, obtained from his son-in-law, Louis of France, the right arm of Eugenius as a relic, and the arm was brought to Spain in all pomp by the Abbot of St Denis in person. Later, Philip II. obtained the entire body from Charles IX., with the consent of the Cardinal, Duke of Lorrain, Abbot of St Denis. The town prepared a magnificent reception for the remains of the founder of its cathedral. Antonio de Rivera, the choir-master, gives a detailed description of the triumphal arches, the Latin and Castillian poems, the dances and other diversions of the hour. The King was present as well as his unfortunate son, Don Carlos, the princes of Hungary and Bohemia, Rodolpho and Hernesto, sons of Maximilian, the bishops of Cordova, Siguenza, Segovia, Palencia, Cuenca, Osuna, Lugo and Gerona. Francisco Bayeu painted a fine fresco of the scene for the cathedral cloisters, representing the entrance of the remains under the Puerta de Visagra.