I told him of the crowd of voices that cry in the sea, expressing all
the emotions which are uttered on land by the voices of men; of the
childish voices that may be heard on August evenings in fiords, of the
solemn sobbing that fills an autumn night on the Northumbrian coast, of
the passionate roaring in mid Atlantic, of the peculiar and frigid
whisper of waters struggling to break from the tightening embrace of ice
in extreme northern latitudes, of the level moan of the lagoons. I
explained to him how this element is so much alive that it is never for
a moment absolutely still, even when it seems so to the eyes, as it
sleeps within the charmed embrace of a coral reef, extended, like an
arm, by some Pacific island far away. I drew for him the thoughts of the
sea, its intentions, its desires, its regrets, its griefs, its savage
and its quiet joys. I narrated the lives in it, of fishes, of monsters;
its wonders of half human lives, too, the mermaids who lie on the rocks
at night to see the twinkling lights on land, the mermen who swim round
them, wondering what those lights may mean. I made him walk with me on
the land under the sea, where go the divers through the wrecks, and
ascend the rocky mountains and penetrate the weedy valleys, and glide
across the slippery, oozy plains. In fine, Uniacke, I drowned little
Jack--I drowned him in the sea, I drowned him in the sea."
The painter spoke the last words in a voice of profound, even of morbid,
melancholy, as if he were indeed confessing a secret crime, driven by
some wayward and irresistible impulse. Uniacke looked at him in growing
surprise.
"And why not?" Uniacke asked.
But the painter did not reply. He continued:
"I made him see the rainbows of the sea and he looked no more at the
rainbows of the sky. For at length I had his imagination fast in my net
as a salmon that fishermen entice within the stakes. His town mind
seemed to fade under my fostering, and, Uniacke, 'nothing of him that
did fade but did suffer a sea change into something rich and strange.'"
The painter got up from his chair and walked over to the blowing wind
that crept in at the window fastenings. The red curtains flew out
towards him. He pushed them back with his hands.
"Into something rich and strange," he repeated, as if to himself. "And
strange."
"Ah, but that was said, surely, of one who was actually drowned in the
sea," said the clergyman. "It might be suitably placed on many of the
memorial slabs in the church yonder," he continued, waving his hand
towards the casement that looked on the churchyard. "But your
sea-urchin--"
Public-domain text, read in full here on John Shaqi.
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