"Oh, I speak only of the fading of the town nature into the sea nature,"
rejoined the painter quickly, "only of that. The soil of the childish
mind was enriched; his eyes shone as if touched with a glow from the
sun, swaying in the blue sea. The Trafalgar Square gamin disappeared,
and at last my sea-urchin stood before me. As the little Raleigh may
have looked he looked at me, and I saw in the face then rather the
wonder of the sea itself than the crude dancing desire of the little
adventurer who would sail it. And it was the wonder of the sea embodied
in a child that I desired to paint, not the wakening of a human spirit
of gay seamanship and love of peril. That's for a Christmas number--but
that came at last."
He stopped abruptly and faced the clergyman.
"Why does the second best succeed so often and so closely the best, I
wonder," he said. "It is very often so in the art life of a man, even of
a great man. And it is so sometimes--perhaps you know this better than
I--in the soul life of a nature. Must we always sink again after we have
soared? Must we do that? Is it an immutable law?"
"Perhaps for a time. Surely, surely, not forever," said Uniacke.
His guest's conversation and personality began to stir him more and more
powerfully. It seemed so new and vital an experience to be helped to
think, to have suggestion poured into him now, after his many lonely
island evenings.
"Ah, well, who can say?" said the painter. "I had the best for a
time--long enough for my immediate purpose; for now I painted, and I
felt that I was enabled by little Jack to do fine work. It seems he told
his drinking mother in Drury Lane, in his lingo, of the wonders of the
sea. This I learnt later. And, in his occasional, and now somewhat
fleeting visits to Trafalgar Square, he explained to the emaciated
little girls, in the shadow of Nelson, the fact that there was to be
found, and seen, somewhere, water of a very different kind from that
splashing and churning in the dingy basins guarded by the lions.
Meanwhile I painted little Jack, all the time keeping alive in his
nature the sea change, which was, in the end, to bring into my pocket
L1,000 in hard cash."
Sir Graham said this with an indescribable cold irony and bitterness.
"I can hear that money jingling in the wind, upon my soul, Uniacke," he
added, frowning heavily.
The young clergyman was touched by a passing thought of the painter's
notorious ill-health.
Public-domain text, read in full here on John Shaqi.
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