The painter's reply struck away his uncertainty, and set him face to
face with a most definite dread.
"I shall have models," said Sir Graham, "for all the figures except for
little Jack. I can draw him from memory. I can reproduce his face. It
never leaves me."
"What!" said Uniacke. "You will paint an exactly truthful portrait of
him then?"
"I shall; only idealised by death, dignified, weird, washed by the sad
sea."
"The Skipper watched you while you were painting. He saw all you were
doing."
"Yes. And I think he'll come again."
"But then--he'll--he'll see--"
The clergyman stopped short.
"See--see what?" Sir Graham asked.
"Himself," Uniacke replied, evasively. "When you paint him with the
ropes dropping from his hands. May it not agitate, upset him, to see
himself as he stands ringing those bells each night? Ah! there they
are!"
It was twilight now, cold, and yellow, and grim; twilight of winter. And
the pathetic, cheerless appeal of the two bells stole out over the
darkening sea.
"Perhaps it may agitate him," Sir Graham said. "What then? To strike a
sharp blow on the gates of his mind might be to do him a good service. A
shock expelled his reason. Might not a shock recall it?"
"I can't tell," Uniacke said. "Such an experiment might be dangerous, it
seems to me, very dangerous."
"Dangerous?"
Uniacke turned away rather abruptly. He could not tell the painter what
was in his mind, his fear that the mad Skipper might recognise the
painted face of the dead boy, for whom he waited, for whom, even at that
moment, the bells were ringing. And if the Skipper did recognise this
face that he knew so well--what then? What would be the sequel? Uniacke
thought of the doctor's letter. He felt as if a net were closing round
him, as if there could be no escape from some tragic finale. And he felt
too, painfully, as if a tragic finale were all that he--he, clergyman,
liar, trickster,--deserved. His conscience, in presence of a shadow,
woke again, and found a voice, and told him that evil could not prevail
for good, that a lie could not twist the course of things from paths of
sorrow to paths of joy. Did not each lie call aloud to danger, saying,
"Approach! approach!" Did not each subterfuge stretch out arms beckoning
on some nameless end? He seemed to hear soft footsteps. He was horribly
afraid and wished that, in the beginning of his acquaintance with Sir
Graham, he had dared consequence and spoken truth. Now he felt like a
man feebly fighting that conqueror, the Inevitable, and he went in fear.
Yet he struggled still.
"Sir Graham," he said, on the following day, "forgive me, but I feel it
my duty to urge you not to let that poor fellow watch you at work. It is
not safe. I do not think it is safe. I have a strong feeling that--that
the shock of seeing--"
"Himself?"
"Exactly!--might be dangerous."
"To him?"
"Or to you. That is my feeling. Possibly to you. He is not sane, and
though he seems harmless enough--"
Public-domain text, read in full here on John Shaqi.
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