"I'm fully prepared to take the risk," said Sir Graham abruptly, and with a return of his old suspicious expression. "I'm not afraid of the man." He got up and went out. The mere thought of danger, in his condition, warmed and excited him. He had resolved before actually starting upon his picture to make some _plein air_ studies of the islanders. Therefore he now made his way into the village, engaged a fisher-lad to stand to him, returned to the rectory for his easel and set it up just beyond the churchyard wall. He posed the shamefaced and giggling boy and set to work. Uniacke was writing in the small bow-window, or pretending to write. Often he looked out, watching the painter, waiting, with a keen anxiety, to know whether the interest shown in his work by the Skipper was only the passing whim of insanity, or whether it was something more permanent, more threatening perhaps. The painter worked. The sailor posed, distending his rough cheeks with self-conscious laughter. Uniacke watched. It seemed that the Skipper was not coming. Uniacke felt a sense of relief. He got up from his writing-table at last, intending to go into the village. As he did so, the tall form of the Skipper came into view in the distance. Dark, bulky, as yet far off, it shambled forward slowly, hesitatingly, over the short grass towards the painter. While Uniacke observed it, he thought it looked definitely animal. It approached, making detours, like a dog, furtive and intent, that desires to draw near to some object without seeming to do so. Slowly it came, tacking this way and that, pausing frequently as if uncertain or alarmed. And Uniacke, standing in the shadow of the red curtain, watched its movements, fascinated. He did not know why, but he had a sensation that Fate, loose-limbed, big-boned, furtive, was shambling over the grass towards his guest. Sir Graham went on quietly painting. The Skipper made a last detour, got behind the painter, stole up and peered over his shoulder. Once there, he seemed spellbound. For he stood perfectly still and never took his large blue eyes from the canvas. Uniacke went into the little passage, got his hat and hastened out, impelled yet without purpose. As he crossed the churchyard he saw Sir Graham put something into the sailor's hand. The sailor touched his cap awkwardly and rolled off. Uniacke hurried forward. "You've finished your work?" he said, coming up. Sir Graham turned and made him a hasty sign to be silent. "Don't alarm him," he whispered, with a slight gesture towards the Skipper, who stood as if in a vacant reverie, looking at the painted sailor boy. "But--" Uniacke began. "Hush!" the painter murmured, almost angrily. "Leave us alone together."