England -- Fiction; Patent medicines -- Marketing -- Fiction; Pharmaceutical industry -- Fiction; Satire; Science fiction
One main source of excitement for us was “cheeking” people in vans and
carts upon the Goudhurst road; and getting myself into a monstrous
white mess in the chalk pits beyond the village, and catching yellow
jaundice as a sequel to bathing stark naked with three other Adamites,
old Ewart leading that function, in the rivulet across Hickson’s
meadows, are among my _memorabilia_. Those free imaginative afternoons!
how much they were for us! how much they did for us! All streams came
from the then undiscovered “sources of the Nile” in those days, all
thickets were Indian jungles, and our best game, I say it with pride, I
invented. I got it out of the Bladesover saloon. We found a wood where
“Trespassing” was forbidden, and did the “Retreat of the Ten Thousand”
through it from end to end, cutting our way bravely through a host of
nettle beds that barred our path, and not forgetting to weep and kneel
when at last we emerged within sight of the High Road Sea. So we have
burst at times, weeping and rejoicing, upon startled wayfarers. Usually
I took the part of that distinguished general Xenōphen—and please note
the quantity of the ō. I have all my classical names like
that,—Socrates rhymes with Bates for me, and except when the bleak eye
of some scholar warns me of his standards of judgment, I use those dear
old mispronunciations still. The little splash into Latin made during
my days as a chemist washed off nothing of the habit. Well,—if I met
those great gentlemen of the past with their accents carelessly
adjusted I did at least meet them alive, as an equal, and in a living
tongue. Altogether my school might easily have been worse for me, and
among other good things it gave me a friend who has lasted my life out.
This was Ewart, who is now a monumental artist at Woking, after many
vicissitudes. Dear chap, how he did stick out of his clothes to be
sure! He was a longlimbed lout, ridiculously tall beside my more youth
full compactness, and, except that there was no black moustache under
his nose blob, he had the same round knobby face as he has to-day, the
same bright and active hazel brown eyes, the stare, the meditative
moment, the insinuating reply. Surely no boy ever played the fool as
Bob Ewart used to play it, no boy had a readier knack of mantling the
world with wonder. Commonness vanished before Ewart, at his expository
touch all things became memorable and rare. From him I first heard tell
of love, but only after its barbs were already sticking in my heart. He
was, I know now the bastard of that great improvident artist, Rickmann
Ewart; he brought the light of a lax world that at least had not turned
its back upon beauty, into the growing fermentation of my mind.
I won his heart by a version of Vathek, and after that we were
inseparable yarning friends. We merged our intellectual stock so
completely that I wonder sometimes how much I did not become Ewart, how
much Ewart is not vicariously and derivatively me.
VII
Public-domain text, read in full here on John Shaqi.
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