England -- Fiction; Patent medicines -- Marketing -- Fiction; Pharmaceutical industry -- Fiction; Satire; Science fiction
I have never revisited Chatham; the impression it has left on my mind
is one of squalid compression, unlit by any gleam of a maturer charity.
All its effects arranged themselves as antithetical to the Bladesover
effects. They confirmed and intensified all that Bladesover suggested.
Bladesover declared itself to be the land, to be essentially England; I
have already told how its airy spaciousness, its wide dignity, seemed
to thrust village, church, and vicarage into corners, into a secondary
and conditional significance. Here one gathered the corollary of that.
Since the whole wide country of Kent was made up of contiguous
Bladesovers and for the gentlefolk, the surplus of population, all who
were not good tenants nor good labourers, Church of England, submissive
and respectful, were necessarily thrust together, jostled out of sight,
to fester as they might in this place that had the colours and even the
smells of a well-packed dustbin. They should be grateful even for that;
that, one felt, was the theory of it all.
And I loafed about this wilderness of crowded dinginess, with young,
receptive, wide-open eyes, and through the blessing (or curse) of some
fairy godmother of mine, asking and asking again: “But after all,
_why_—”
I wandered up through Rochester once, and had a glimpse of the Stour
valley above the town, all horrible with cement works and foully
smoking chimneys and rows of workmen’s cottages, minute, ugly,
uncomfortable, and grimy. So I had my first intimation of how
industrialism must live in a landlord’s land. I spent some hours, too,
in the streets that give upon the river, drawn by the spell of the sea.
But I saw barges and ships stripped of magic and mostly devoted to
cement, ice, timber, and coal. The sailors looked to me gross and
slovenly men, and the shipping struck me as clumsy, ugly, old, and
dirty. I discovered that most sails don’t fit the ships that hoist
them, and that there may be as pitiful and squalid a display of poverty
with a vessel as with a man. When I saw colliers unloading, watched the
workers in the hold filling up silly little sacks and the succession of
blackened, half-naked men that ran to and fro with these along a plank
over a thirty-foot drop into filth and mud, I was first seized with
admiration of their courage and toughness and then, “But after all,
_why_—?” and the stupid ugliness of all this waste of muscle and
endurance came home to me. Among other things it obviously wasted and
deteriorated the coal.... And I had imagined great things of the sea!
Well, anyhow, for a time that vocation was stilled.
Public-domain text, read in full here on John Shaqi.
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