Tour in England, Ireland, and France, in the years 1826, 1827, 1828 and 1829.: with remarks on the manners and customs of the inhabitants, and anecdotes of distiguished public characters. In a series of letters by a German Prince.Pückler-Muskau, Hermann, Fürst von
History
Tour in England, Ireland, and France, in the years 1826, 1827, 1828 and 1829.: with remarks on the manners and customs of the inhabitants, and anecdotes of distiguished public characters. In a series of letters by a German Prince.
Pückler-Muskau, Hermann, Fürst von
Great Britain -- Description and travel; Great Britain -- Social life and customs -- 19th century
This evening I paid my visit to Göthe. He received me in a dimly lighted
room, whose 'clair obscure' was arranged with some 'coquetterie'; and
truly, the aspect of the beautiful old man, with his Jove-like
countenance, was most stately. Age has changed, but scarcely enfeebled
him: he is perhaps somewhat less vivacious than formerly, but so much
the more equable and mild; and his conversation is rather pervaded by a
sublime serenity, than by that dazzling fire which used occasionally to
surprise him, even in the midst of his highest 'grandezza.' I rejoiced
heartily at the good health in which I found him, and said with a smile,
how happy it made me to find our spiritual King in undiminished majesty
and vigour. "Oh, you are too _gracious_," said he, (with the yet
uneffaced traces of his South German manner, accompanied by the
satirical smile of a North German,[2]) "to give me such a title." "No,"
replied I, truly from my very heart, "not only king, but despot, for you
have subjugated all Europe." He bowed courteously, and questioned me
concerning things which related to my former visit to Weimar; then
expressed himself very kindly with regard to M----, and my efforts to
improve it, gently remarking, how meritorious he ever thought it to
awaken a sense of beauty, be it of what kind it may, since the Good and
the Noble unfolded themselves in manifold ways out of the Beautiful.
Lastly, he gave me some gleam of hope that he might comply with my
earnest request that he would visit us there. Imagine, dearest, with
what 'empressment' I caught at this, though perhaps but a 'façon de
parler.'
In the course of our conversation we came to Sir Walter Scott. Göthe was
not very enthusiastic about the Great Unknown. He said he doubted not
that he wrote his novels in the[3] same sort of partnership as existed
between the old painters and their scholars; that he furnished the plot,
the leading thoughts, and skeleton of the scenes, that he then let his
pupils fill them up, and retouched them at the last. It seemed almost to
be his opinion, that it was not worth the while of a man of Sir Walter
Scott's eminence to give himself up to such a number of minute and
tedious details. "Had I," added he, "been able to lend myself to the
idea of mere gain, I could formerly have sent such things anonymously
into the world, with the aid of Lenz and others--nay, I could still--as
would astonish people not a little, and make them puzzle their brains to
find out the author; but after all they would be but manufactured
wares." I afterwards observed, that it was gratifying to Germans to see
what victories our literature was achieving in other countries; "And,"
added I, "our Napoleon has no Waterloo to dread."
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