German drama -- Translations into English; Tragedies (Drama)
Your implied threat that you will take your own life in case your
flight is not made feasible has--to speak frankly, Moritz,--rather
taken me aback. No matter how undeserved a misfortune may be, we
should never let ourselves be driven to ignoble measures. The way in
which you seem to wish to make me--who have never shown you anything
but kindness--answerable for a possible shocking outrage on your
part, might, to a person inclined to think evil, look very much like
blackmail. I must confess that this mode of acting from you, who
usually are so well aware of what a man owes himself, was the very last
I should have expected. For the present, I cherish the firm conviction
that you were still suffering too much from the first shock to be able
to realize fully what you were doing.
And so I am confidently hoping that these words of mine will find
you already in a more composed state of mind. Take the affair as it
stands. To my way of thinking, it is wholly inadmissible that a young
man should be judged by his school marks. We have too many examples of
very bad scholars who have become remarkable men, and conversely of
excellent scholars who have not distinguished themselves in life. In
any case I assure you that so far as I am concerned your mishap will
not cause any change in your relations with Melchior. It will always
give me pleasure to see my son in the company of a young man who--let
the world judge of him as it will--deserved and won not only his but my
most cordial sympathy.
And so--up with your chin, Moritz Stiefel! Such crises, of this kind
or of that, come upon us all and must just be got over. If everyone so
placed should snatch forthwith at dagger and poison, there might easily
soon be no more men and women in the world. Let us hear from you soon
again, and believe me cordially and steadfastly
Your maternal friend,
FANNY G.
CURTAIN
SCENE VI.--_The_ BERGMANN _Garden in the radiance of the morning sun_.
WENDLA--[_Discovered._] Why have you stolen out of the house?--To look
for violets!--Because mother sees me smiling.--And why can’t you stop,
and shut your lips tight any more?--I don’t know.--Oh, I don’t know--I
can’t find words....
The path is like a plush carpet underfoot--not one little stone, not
a thorn.--My feet don’t touch the ground.... Oh, how I did sleep last
night.
Here’s where they used to be. [_Kneels._] They make me feel as solemn
as a nun at communion.--Dear violets!--All right, motherling! I’ll put
on my penitence-dress!--Oh, God, if somebody would only come whom I
could hug and tell!
CURTAIN
SCENE VII.--_Twilight. The sky is lightly overcast. The path winds
through low growth and sedgegrass. Not far away the river sounds._
MORITZ _sits facing the audience, his back to some bushes and the
path_.
Public-domain text, read in full here on John Shaqi.
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