Trains of Recollection: Drawn from Fifty Years of Railway Service in Scotland and Canada, and told to Arthur HawkesHanna, D. B. (David Blyth)
History
Trains of Recollection: Drawn from Fifty Years of Railway Service in Scotland and Canada, and told to Arthur Hawkes
Hanna, D. B. (David Blyth)
Canadian National Railways; Railroads -- Canada; Railroads -- Scotland
One speaks about one’s early years primarily because it affords an
opportunity to say a word for upbuilders of Canada who never saw
Canada, but who gave to Canada what she has most needed and still
needs--people, sound of body and of mind, and grounded in a faith
that may be stern, but has at least been steadfast, and has given its
followers the vitalities of character and success.
A friend has a habit of saying that his mother is one of the greatest
Canadians, though she has never lived for a single month ten miles
from her birthplace in the south of England. On the day this is
written he tells me she is keeping her ninety-eighth birthday, and
that, to date, she has given sixty-five children, grandchildren and
great-grandchildren to Canada. For fifty-five years she has been
writing letters to, and getting letters from, Canada. Her stake
in the country has been infinitely more precious than that of the
millionaire who dies without seed.
Most theatre-goers have seen “Bunty Pulls the Strings”, Moffatt’s
verra Scotch play. The piece is developed around Bunty, the managing
daughter of a typically Presbyterian house. It is really a depiction
of life near Glasgow--some people think, of an extinct species of
existence. Its religious aspects are incomprehensible to a generation
that knows not its Shorter Catechism, as they are serious to the
participants, and homelike to many people in Canada scarcely past
middle life.
One of the characters speaks of going to Thornliebank. The father of
the playwright was William Moffatt, well known as an elocutionist
in Scotland fifty years ago, who used to give readings from the
“Reciter” of his own compilation. He was a frequent visitor to
Thornliebank. For nearly twenty-four years I never lived anywhere
else.
“Bunty” is a transcript from southern Scottish life, as I knew it,
within an hour’s walk of Glasgow. The church scenes, including the
presence of the collie among the worshippers and the deposits of
copper on the collection plate outside the door, before the spiritual
food has been dispensed, are as true to fact as a Canadian winter is
true to Jack Frost.
Public-domain text, read in full here on John Shaqi.
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