I think there must have fallen a deep hush then--a petrified stillness that lasted through the long ceremonial, while every eye feasted itself upon the young girl standing there at the king's side, holding her victorious standard above him--the banner that "had borne the burden and had earned the victory," as she would one day testify at her trial. I am sure that vast throng would keep silence, scarcely breathing, until the final word was spoken and the dauphin had accepted the crown and placed it upon his head. But then we may hear, borne faintly down the centuries, the roar of renewed shouting that told to those waiting without that the great ceremony was ended, that Charles VII of France had been annointed king. As in a picture we seemed to see the shepherd-girl on her knees saying to the crowned king: "My work which was given me to do is finished: give me your peace, and let me go back to my mother, who is poor and old, and has need of me." But the king raises her up and praises her and confers upon her nobility and titles, and asks her to name a reward for her service, and we hear her ask that Domremy, "poor and hard-pressed by reason of the war," may have its taxes remitted. Nothing for herself--no more than that; and in the presence of all the great assemblage Charles VII decreed that by grace of Joan of Arc, Domremy should be free from taxes forever. There within those walls it was all reality five hundred years ago. One did not study the interior to discover special art values or to distinguish in what manner it differed from others we had seen. For us the light from its great rose-window and upper arches was glorified because once it fell upon Joan of Arc in that supreme moment when she saw her labor finished and asked only that she might return to Domremy and her flocks. The statues in the niches were sacred because they looked upon that scene, the altar paving was sanctified because it felt the pressure of her feet. Back of the altar stood a statue of Joan unlike any we had seen elsewhere, and to us more beautiful. It was not Joan with her banner aloft, her eyes upward. It was Joan with her eyes lowered, looking at no outward thing, her face passive--the saddest face and the saddest eyes in the world--Joan the sacrifice of her people and her king.