and individuals are changed, and assume new ones in their language. Thus Europe is called _See-yang_, the western country; Japan _Tung-yang_, the eastern country; India _Siau-see-yang_, the little western country. The English are dignified by the name of _Hung-mou_, or _Red-heads_, and the French, Spanish, Portuguese, and others, who visit China, have each a name in the language of the country totally distinct from that they bear in Europe. This inflexibility in retaining the words of their own poor language has frequently made me think, that Doctor Johnson had the Chinese in his mind when, in that inimitable piece of fine writing which prefaces his dictionary, he made this remark: "The language most likely to continue long without alteration, would be that of a nation raised a little, and but a little, above barbarity, secluded from strangers, and totally employed in procuring the conveniences of life." The invention of the Chinese character, although an effort of genius, required far less powers of the mind than the discovery of an alphabet; a discovery so sublime that, according to the opinion of some, nothing less than a divine origin ought to be ascribed to it. It may, however, be considered as the nearest approximation to an universal character that has hitherto been attempted by the learned and ingenious of any nation; each character conveying at once to the eye, not only simple, but the most combined ideas. The plan of our countryman, Bishop Wilkins, for establishing an universal character is, in all respects, so similar to that upon which the Chinese language is constructed, that a reference to the former will be found to convey a very competent idea of the nature of the latter. The universal character of our countryman is, however, more systematic, and more philosophical, than the plan of the Chinese character. Certain signs expressing simple objects or ideas may be considered as the roots or primitives of this language. These are few in number, not exceeding two hundred and twelve, one of which, or its abbreviation, will be found to compose a part of every character in the language; and may, therefore, be considered as the _key_ to the character into which it enters. The eye soon becomes accustomed to fix upon the particular key, or root, of the most complicated characters, in some of which are not fewer than sixty or seventy distinct lines and points. The right line, the curved line, and a point are the rudiments of all the characters. These, variously combined with one another, have been extended from time to time, as occasion might require, to nearly eighty thousand different characters.