Travels in Peru and India: While Superintending the Collection of Chinchona Plants and Seeds in South America, and Their Introduction into India.Markham, Clements R. (Clements Robert), Sir
History
Travels in Peru and India: While Superintending the Collection of Chinchona Plants and Seeds in South America, and Their Introduction into India.
Markham, Clements R. (Clements Robert), Sir
Cinchona; India -- Description and travel; Peru -- Description and travel
Its origin appears to have been as follows:--A member of the family of
the Incas, named Francisco Titu Yupanqui, not having money enough to
buy an image of the Virgin for his church, painted a very bad picture,
and the cura, Antonio de Almeida, either to please the Indian, or
because there were few images or pictures in the country, allowed it
to be placed near the altar. But the next cura, Antonio de Montoro,
seeing that it caused more laughter than devotion, ordered it to be
put in a corner of the sacristy. The poor artist then went to Potosi
to learn to paint, and, after much labour, he succeeded in completing
a picture which, the moment it was placed in the church at Copacabana,
began to work miracles. It was set up in 1583, and the Inca painter
died in 1608. The first thing the picture did was to banish all devils
out of the province, and to cure many Indians of their diseases; and
its fame became so great that in 1588 the Count of Villar, viceroy of
Peru, solemnly delivered it to the care of the Augustine friars by a
royal edict. Between 1589 and 1652 it is said to have performed 186
miracles. One Alonzo de Escote, for favours received, saved up money
for the purpose of giving the Virgin a lamp, and at length he presented
the richest then to be found in the Spanish colonies, twenty feet long,
with sockets for as many candles as there are days in the year, all of
solid silver. Even as late as 1845, when Dr. Weddell saw the church, it
was very richly gilt.
"Other images," says Father Calancha, "in Europe and Asia perform
miracles in their own towns or provinces, but this picture of
Copacabana performs them all over the new world, and in parts of
Europe!"[159]
Thus the Spanish conquerors supplied the Aymara Indians of the shores
of lake Titicaca with an object of devotion in the shape of this old
picture; which was to replace their former simple worship of the Sun
and Moon on the sacred islands of the lake. It will be interesting
to examine briefly the way the Spaniards treated the people they
subjected, in other respects, and to glance at the kind of government
which they substituted for the mild rule of the Incas.
Public-domain text, read in full here on John Shaqi.
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