Three walls at some distance from each other, and each bounded by a moat, surround what remains of the palace of the ancient kings. Within the first enclosure are two towers connected by galleries, which form four sides, like a triumphal arch. The walls are of ferruginous stone, and the length of each block forms the thickness of the wall. The towers and galleries are of sandstone. A hundred metres from the angle of the square formed on the north side by the wall, is a singular building, consisting of two high terraces, and communicating with the outer wall by another terrace half in ruins. In a cavity recently made by excavations, are visible large sculptured blocks, which seem to have fallen from the top. The walls, still intact, are covered with bas-reliefs, disposed in four rows, one above another, each representing a king seated in the Oriental fashion, with his hands resting on a broken poignard, and by his side a number of women. All these figures are covered with ornaments, such as very long earrings, necklaces, and bracelets. Their costume is the langouti, and all wear high head-dresses terminating in a point, and apparently composed of precious stones, pearls, and gold and silver ornaments. On another side the bas-reliefs represent combats; and here are children with long hair tied up like the savages of the East. Everything here, however, yields in beauty to the statue of the leprous king, which is at the end of the terrace. The head, admirable in its nobility, regularity of feature, and gentle yet proud expression, must have been the work of the most skilful sculptor of the country, in an age when many, doubtless, evinced great talent. A small moustache covers his upper lip, and his hair falls in long curls over his shoulders; but the whole body is naked, and without ornament. One foot and one hand are broken. PREA SAT SOUR PRÔT. RUINED PAGODAS. About 1200 metres in front of the building just described is one called “Prea sat sour prôt,” and said to have been the royal treasury. It is square, and consists of sixteen towers connected by galleries, but nearly all in ruins: the doorways and walls are ornamented with sculpture, as in the other remains. It served, they say, as a depository for the crown jewels. The Cambodians also believe that ropes were stretched from one tower to another, on which dancers exercised their skill in the presence of the king, who, seated on one of the neighbouring terraces, enjoyed their performances. All traditions being lost, the natives invent new ones, according to the measure of their capacity. The centre of the interior of the third enclosure is occupied by an immense esplanade, supported by walls formed of magnificent blocks of stone, sculptured and surrounded by staircases. The ground is level; but in the excavations that had been made I remarked large masses of carved stone.