Travels in the Central Parts of Indo-China (Siam), Cambodia, and Laos (Vol. 2 of 2): During the Years 1858, 1859, and 1860 — John Shaqi
Travels in the Central Parts of Indo-China (Siam), Cambodia, and Laos (Vol. 2 of 2): During the Years 1858, 1859, and 1860Mouhot, Henri
History
Travels in the Central Parts of Indo-China (Siam), Cambodia, and Laos (Vol. 2 of 2): During the Years 1858, 1859, and 1860
Mouhot, Henri
Cambodia -- Description and travel; Khmer language; Natural history -- Indochina; Thailand -- Description and travel
Not far from this esplanade is a square building in tolerable
preservation, the basement composed of great blocks of ferruginous
stone, as are the staircases, of which there are four, one on each
side; but they are so steep, narrow, and worn away that it is difficult
to climb them. The base supports small galleries, very narrow, and
having windows with carved bars. The stones and every doorway are
covered with inscriptions.
In the centre of the gallery rises a ruined tower, approached by four
staircases, as awkward to ascend as the others just mentioned. Near the
doors are some figures of women, standing with flowers in their hands.
This building appears very old: the stone is crumbling away like rotten
wood.
PREA SAT FIAO SAÏE.
On the banks of the river which skirts the eastern side of Ongcor Thôm
are several remains. The first you come to is Fiao Saïe, two or three
hundred metres from the water’s edge. Large and deep ditches surround
it on all sides; and when these have been crossed you arrive in front
of a terrace 45 metres long, and 2 metres 50 centimetres in width. Four
rows of columns 1 metre high are all that is left standing. Those in
the middle rows are square, the others are fluted, with capitals. This
terrace leads to a square formed by four galleries, each 20 metres
long: the one facing the terrace has three porticoes with doors and
staircases, while in the centre, and at each corner of the gallery, are
towers.
Another gallery, 40 metres long, leads from the central tower to
another larger one, where, on a high pedestal, is placed the principal
idol. On each side of this tower are three staircases, with porticoes
projecting four or five metres, and supported by six high columns.
All the windows have been ornamented with twisted bars, many of which
still remain. By the side of each door are carved columns, every block
being cut and polished with infinite patience and art. There are some
bas-reliefs portraying a lion devouring a stag, dances, pantomimes,
worshippers before idols, &c. As at Ongcor-Wat, the building is
entirely composed of great blocks of sandstone.
PREA SAT IHEUR MANONE TIREADA, OR THE TEMPLE OF THE ANGELS.
This little pagoda is only about 150 metres from the preceding, and,
according to tradition, was formerly a celebrated school for Buddhist
theology. At the east is the principal entrance, which consists of a
gallery 18 metres long, with a portico in the centre, and staircases.
A second gallery, 30 metres long, terminated by a tower, extends from
the centre of the other, and at about two-thirds of its length open
out on either side porticoes and staircases. There are two other small
buildings north and south, and a third behind the tower. That on the
south is in good preservation, but receives no light except through a
single door. This pagoda has been built with smaller stones than the
other temples: in its architecture and details it much resembles Fiao
Saïe.
THE BRIDGE.
Public-domain text, read in full here on John Shaqi.
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