Travels to Discover the Source of the Nile, Volume 3 (of 5): In the years 1768, 1769, 1770, 1771, 1772 and 1773Bruce, James
History
Travels to Discover the Source of the Nile, Volume 3 (of 5): In the years 1768, 1769, 1770, 1771, 1772 and 1773
Bruce, James
Egypt -- Description and travel; Ethiopia -- Description and travel; Ethiopia -- History; Natural history -- Ethiopia; Nile River
I have known many very scrupulous about eating suppers, but, I am
persuaded, without reason. The great perspiration which relaxes the
stomach so much through the day has now ceased, and the breathing of
cooler air has given to its operations a much stronger tone. I always
made it my most liberal meal, if I ate meat at all. While at Jidda, my
supper was a piece of cold, roasted mutton, and a large glass of water,
with my good friend Captain Thornhill, during the dog-days.
After this, the excessive heat of the day being past, covering our
heads from the night-air, always blowing at that time from the east and
charged with watery particles from the Indian Ocean, we had a luxurious
walk of two or three hours, as free from the heat as from the noise
and impertinence of the day, upon a terrassed roof, under a cloudless
sky, where the smallest star is visible. These evening walks have
been looked upon as one of the principal pleasures of the east, even
though not accompanied with the luxuries of astronomy and meditation.
They have been adhered to from early times to the present, and we may
therefore be allured they were always wholesome; they have often been
misapplied and mispent in love.
It is a custom that, from the first ages, has prevailed in the east,
to shriek and lament upon the death of a friend or relation, and cut
their faces upon the temple with their nails, about the breadth of a
sixpence, one of which is left long for that purpose. It was always
practised by the Jews, and thence adopted by the Abyssinians, though
expressly forbidden both by the law and by the prophets[2]. At Masuah,
it seems to be particular to dance upon that occasion. The women,
friends, and visitors place themselves in a ring; then dance slowly,
figuring in and out as in a country-dance. This dance is all to the
voice, no instrument being used upon the occasion; only the drum (the
butter-jar before mentioned) is beat adroitly enough, and seems at once
necessary to keep the dance and song in order. In Abyssinia, too, this
is pursued in a manner more ridiculous. Upon the death of an ozoro, or
any nobleman, the twelve judges, (who are generally between 60 and 70
years of age) sing the song, and dance the figure-dance, in a manner
so truly ridiculous, that grief must have taken fast hold of every
spectator who does not laugh upon the occasion. There needs no other
proof the deceased was a friend.
Public-domain text, read in full here on John Shaqi.
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