I had never met or spoken to Sir Eustace Carr--the worlds we
lived in were very different--but I had read of his explorations
in the East, and of the curious tombs he had discovered--somewhere,
was it not?--in the Nile Valley. Then too it happened (and this
was the main cause of my interest) that at one time I had seen
him more than once, under circumstances that were rather unusual.
And now I began to think of this incident. In away it was nothing,
and yet the impression haunted me that it was somehow connected
with this final act, for which no explanation, beyond that of
sudden mental derangement, had been offered. This explanation did
not seem to me wholly adequate, although it had been accepted,
I believe, both by his friends and the general public--and with
the more apparent reason on account of a strain of eccentricity,
amounting in some cases almost to insanity, which could be traced,
it was said, in his mother's family.
I found it not difficult to revive with a certain vividness the
memory of those cold and rainy November weeks that I had
happened to spend alone, some years ago, in Venice, and of the
churches which I had so frequently haunted. Especially I
remembered the great dreary church in the piazza near my
lodgings, into which I would often go on my way to my rooms in
the twilight. It was the season when all the Venice churches are
draped in black, and services for the dead are held in them at
dawn and twilight; and when I entered this Baroque interior,
with its twisted columns and volutes and high-piled, hideous
tombs, adorned with skeletons and allegorical figures and angels
blowing trumpets--all so agitated, and yet all so dead and empty
and frigid--I would find the fantastic darkness filled with
glimmering candles, and kneeling figures, and the discordant
noise of chanting. There I would sit, while outside night fell
with the rain on Venice; the palaces and green canals faded into
darkness, and the great bells, swinging against the low sky,
sent the melancholy sound of their voices far over the lagoons.
Public-domain text, read in full here on John Shaqi.
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