Aboriginal Australians -- Government relations; Dunk Island (Qld.); Natural history -- Australia -- Queensland
Strolling on the curving footway of broken shells and coral chips
marking the limit of the morning's tide, a vague attempt was made to
catalogue the plants which crowd each other on the verge of salt water,
and so to make comparison with that part of Australia the features
of which provoked Adam Lindsay Gordon to frame an adhesive phrase
concerning bright scentless blossoms and songless, bright birds.
Excluding the acacias and eucalypts, said to have given sameness to
the scenes among which the exotic poet ranged, a long list might be
compiled; nor will the pleasant sounds of the afternoon be set down in
formal order to the vexing of his memory, for possibly he never heard
the whoop and gurgle of the swamp pheasant or the blended voices of
hundreds of nutmeg pigeons mellowed by half a mile of still, warm air.
Nor may such unassuming vegetation as the grasses--at least a dozen
varieties--find place in an enumeration which appeals primarily on the
grounds of prominence, though it would not do to despise the soft and
pleasant carpet beneath the orderly row of Casuarinas which the tide
planted during the last big cyclone with gardener's art. The common
name for the trees--“she” (or “shea” oaks, as the late F. Manson Bailey
preferred)--mimics the sound of the wind among the branches, which the
slightest zephyr stirs and, the storm lashes into sea-like roar. The
bright green of the grasses sets off the dull green and bronze of the
steadfast harps of the beach. At certain seasons and in some lights,
when the sun is in the west, the minute scales at the joints of
the slender, pendulous branchlets shine like old gold, producing a
theatrical effect which, if not experienced before, startles and almost
persuades to the belief that the complaining trees have been decorated
by one who “has sought out many inventions.” But the slant of the sun
alters, the light fades, leaving them sombre in hue and whispering
more and more discreetly as the night calm settles over the scene. Such
communicable trees should stand together, commenting on passing events,
booming in unison with the cyclone, and mimicking the tenderest tones of
the idlest wind. During a storm, when the big waves crash on the beach
and the Casuarinas are tormented, the tumult is bewildering; but however
loud their plaint, very few suffer, though growing in loose sand; for
the roots are widespread and, like the trunk and main branches, tough,
while the branchlets stream before the wind.
Public-domain text, read in full here on John Shaqi.
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