Suddenly he felt weary, a twinge of sciatica shot through his hip; he
must keep out of the damp cast houses, with their expanses of wet sand.
But actually he was as good as he had ever been; better, for he now saw
clearly what he must accomplish, satisfy. The present national crisis
would lift; there was already a talk of the resumption of gold payment
by the state banks; and the collapse of a firm associated with him in
a rolling mill had thrown its control into his hands. Steam power had
already been connected, and he could supply the railroad corporation
with a certain number of finished rails direct, adding slightly to his
profit.
The smallest gain was important, a scrap of wood to keep him temporarily
afloat on disturbed waters; he saw before him, close by, solid land. But
meantime more than one metaphorical wave swept over his head, leaving
him shaken. The Columbus people returned a shipment of iron, with the
complaint that it was below the grade useful for their purpose. He
inspected the rejected bars with his head forgeman, and they were unable
to discover the deficiency.
“That's good puddled iron,” the forgeman asserted. “I saw the pig
myself, and it could have been wrought on a cold anvil. Do they expect
blister steel?”
Alexander Hulings kept to himself the knowledge that this was the
beginning of an assault upon his integrity, his name and possessions.
At court he could have established the quality of his iron, forced the
railroad to accept it within their contract. But he had no money to
expend on tedious legal processes; and they knew that in the city.
“We can get a better price for it than theirs,” he commented.
The difficulty lay in supplying a stated amount. The forgeman profanely
explained something of his troubles with labor:
“I get my own anvils busy, and perhaps the furnaces running out the
metal, when the damn charcoal burners lay down. That's the hardest crowd
of niggers and drunken Dutch that ever cut wood! It's never a week but
one is shot or has his throat cut; and some of the coal they send down
looks like pine ash.”
At their home he found Gisela with the draperies of the dining room in a
silken pile on the carpet.
“I'm tired of this room,” she announced; “it's too—too heavy. Those
plum-colored curtains almost made me weep. Now what do you think? A
white marble mantel in place of that black, and a mirror with wreaths
of colored gilt. An apple green carpet, with pink satin at the
windows, draped with India muslin, and gold cords, and Spanish mahogany
furniture—that's so much lighter than this.” She studied the interior
seriously. “Less ormolu and more crystal,” Gisela decided.
Public-domain text, read in full here on John Shaqi.
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