Tuscan folk-lore and sketches, together with some other papersAnderton, Isabella Mary
General
Tuscan folk-lore and sketches, together with some other papers
Anderton, Isabella Mary
Folklore -- Italy; Italian literature -- Translations into English
After a little while, however, Il Rosso, feeling himself sufficiently
well primed, came to the head of the table. Silence was proclaimed, and
he sung a _stornello_ in honour of the bride and bridegroom, wishing
them the usual good things of this life; children to help them with
their work, and plenty to eat and drink. He was followed by a little
excitable woman with a strident voice, much admired by her audience,
who had already sung once at the bride’s house during the _rinfresco_.
Her one form of dramatic action consisted in thumping the table with
her closed fist.
Dinner being over, a few of the favoured guests were invited into
the parlour to take coffee—coffee with rum in it, that is; black
coffee alone is not approved of. The rest lounged about the fields
and chestnut woods for a time, but by about five most of them were on
their way home. They all came and shook hands most heartily as they
went away, with a:—“Do come and see me”; for they are most hospitable
people, and would beg you to share their last crust of bread with them.
“_Vuol favorire_” is the phrase you hear from child or grandmother, if
you happen to drop in on them while they are eating.
The guests, having cows and heifers to be seen to before nightfall,
set out home through the cool of the chestnut woods; and we, with our
donkey and its poetical driver, quietly dropped down the rock-paved
road, past the acacia hedges to the village below. The beauty of
rock, forest, and torrent had passed into our souls, and I thought
wonderingly of the strange mixture of the idyllic and the realistic in
the scenes of which this nature had been the setting; of the frankness
mingled with reserve, open-heartedness with shrewdness, hospitality
with a tendency to critical carping that form the characteristics of
this most attractive peasant population.[5]
OLIVE-OIL MAKING NEAR FLORENCE
THE sky, “stripped to its depths by the awakening North,” is of that
peculiarly limpid clearness which only the _tramontana_ brings with it;
the sun’s rays, penetrating with their full force through the pure, dry
atmosphere, are as warm and genial as those of Eastertide. Yet it is
mid-winter, and we are going to witness a thoroughly winter occupation;
the making of the olive-oil in a villa at a little distance out of
Florence.
Leaving the tram at the foot of the hill, we climb for about
three-quarters of an hour through vineyards in which the fresh green
of the springing wheat contrasts hopefully with the knotted, bare
vine branches. The slopes around us are clothed with olives, whose
grey-green is thrown into relief by the austere rows of cypresses in
the distance, and the spreading tops of the pine-trees on the further
hills.
Public-domain text, read in full here on John Shaqi.
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