Tuscan Sculpture of the Fifteenth Century: A Collection of Sixteen Pictures Reproducing Works by Donatello, the Della Robia, Mino da Fiesole, and Others, with IntroductionHurll, Estelle M. (Estelle May)
History
Tuscan Sculpture of the Fifteenth Century: A Collection of Sixteen Pictures Reproducing Works by Donatello, the Della Robia, Mino da Fiesole, and Others, with Introduction
Hurll, Estelle M. (Estelle May)
Sculpture, Italian
Still later he appointed a meeting on a mountain in Galilee at which
over five hundred of the faithful were gathered. It was then that he
commanded them to go forth to teach all nations, and he gave them the
promise, "Lo, I am with you alway, even unto the end of the
world."[48]
Finally he led the chosen band to the Mount of Olives at Bethany, "and
he lifted up his hands and blessed them. And it came to pass while he
blessed them, he was parted from them, and carried up into heaven."
"And a cloud received him out of their sight. And while they looked
stedfastly toward heaven as he went up, behold, two men stood by them
in white apparel; which also said, Ye men of Galilee, why stand ye
gazing up into heaven? this same Jesus, which is taken up from you
into heaven, shall so come in like manner as ye have seen him go into
heaven."[49]
In Luca della Robbia's bas-relief of the Ascension the moment has come
when, in the very act of blessing his disciples, Jesus is parted from
them. He had already, in some measure, prepared them for this event.
On the day of his resurrection he told them that he was about to
ascend to his father.[50] To-day his words and manner may have shown
them that the time was at hand. Certainly there are no startled or
grief-stricken faces among them; no gestures of surprise. It is as if
in response to some sign from the master, they had all knelt to
receive his benediction, and while they were still on their knees, he
rose from their midst. Already his feet have left the solid earth, as
he vanishes out of their sight.
The company form a circle just as they had clustered about him. So
orderly is their arrangement, so quietly is the great act
accomplished, that they seem to be taking part in some religious
service. All eyes are fixed upon the Saviour, with love, joy, and
adoration expressed in every countenance.
[Illustration: THE ASCENSION (LUCA DELLA ROBBIA) _Cathedral,
Florence_]
The treachery of Judas had reduced the number of disciples to eleven,
and the vacant place was not filled until later. We see, however,
twelve figures in this circle, and notice that one is a woman. This is
Mary, the mother of Jesus, who had lived with John since the day of
the Crucifixion. It was the express wish of Jesus that the beloved
disciple should regard her as a mother. Thus it is not unnatural to
suppose that the two would come together to Bethany at this time, and
kneel side by side, as we see them here. Mary looks as young as when
she held her babe in her arms, and she has the same happy expression.
It is not possible to make out who the others are. We fancy that the
two beardless young men at the right are Thomas and Philip, because
they are thought to have been younger than the other disciples.
Public-domain text, read in full here on John Shaqi.
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