Twelve Studies on the Making of a Nation: The Beginnings of Israel's HistoryKent, Charles Foster
Religion
Twelve Studies on the Making of a Nation: The Beginnings of Israel's History
Kent, Charles Foster
Jews -- History
Michael Angelo, with wonderful dramatic power, in his painting in
the Sistine Chapel at Rome has portrayed how lifeless clay in form
of man, when touched by the finger of God, by sheer vitalizing
power is transformed into a living soul.
Very different yet equally impressive is the modern scientific
view. The origin of matter and of life is so absolutely unknown
that scientists have not as yet formulated definite theories
concerning it. Even the theories regarding the origin of the solar
system are still conflicting and none is generally accepted. The
old nebular hypothesis is discredited and the theory of the spiral
movement of the solar matter seems to be confirmed by phenomena
observable in the heavens. The one principle generally held by
scientists is that, given matter and life and some creating force,
our present marvelous complex universe has come into being
according to laws usually called natural. These laws are so
invariable that they may be considered unchanging.
Even more definitely established is the so-called theory of
evolution which is based on the careful observation and comparison
of countless thousands of natural phenomena. According to the
Encyclopedia Britannica it is the history of the physical process
by which all living beings have acquired the characteristics,
physical, mental, moral, and spiritual, which now distinguish them.
It recognizes the gradual development from the simplest to the most
complex forms. It is merely an attempt to describe in the light of
careful observation and investigation the process of growth by
which the world and the beings which inhabit it have grown into
what they are.
A comparison of the Hebrew account of creation with those of other
races and times is extremely suggestive.
II.
THE PRIESTLY STORY OF CREATION.
Note that the first and second chapters of Genesis contain two
distinct accounts of creation.
Read Genesis 1:1--2:3 (see _Hist. Bib_., I, pp. 231-3 for modern
translation), noting its picture of conditions in the universe
before the actual work of creation began. The creative power is
the spirit or breath of God. The Hebrew word for spirit (_ruah_)
represents the sound of the breath as it emerges from the mouth or
the sound of the wind as it sighs through the trees. It is the
effective symbol of a real and mighty force that cannot be seen or
touched yet produces terrific effects, as when the cyclone rends
the forest or transforms the sea into a mountain of billows and
twists like straws the masts of wood and steel. In the Old
Testament the "spirit of God" or the "spirit of the Holy One" is
God working (1) in the material universe, as in the work of
creation, (2) in human history, as when he directs the life of
nations, or (3) in the lives of men.
Public-domain text, read in full here on John Shaqi.
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