Upon my word, the clock has struck five, and the great gong of Billingsgate booms forth market-time. Uprouse ye, then, my merry, merry fishmongers, for this is your opening day! And the merry fishmongers uprouse themselves with a vengeance. The only comparison I can find for the aspect, the sights, and sounds of the place, is—a Rush. A rush hither and thither at helter-skelter speed, apparently blindly, apparently without motive, but really with a business-like and engrossing pre-occupation, for fish and all things fishy. Baskets full of turbot, borne on the shoulders of the _facchini_ of the place, skim through the air with such rapidity that you might take them to be flying fish. Out of the way! here is an animated salmon leap. Stand on one side! a shoal of fresh herrings will swallow you up else. There is a rush to the tribunes of the auctioneers; forums surrounded by wooden forms—I mean no pun—laden with fish, and dominated by the rostra of the salesmen, who, with long account-books in their hands, which they use instead of hammers, knock down the lots with marvellous rapidity. An eager crowd of purchasers hedge in the scaly merchandise. They are substantial-looking, hearty, rosy-gilled men—for the sale of fish appears to make these merchants thrive in person as well as in purse. Why, though, should fishmongers have, as a body, small eyes? Can there be any mysterious sympathy between them and the finny things they sell?—and do they, like the husband and wife who loved each other so much, and lived together so long, that, although at first totally dissimilar in appearance, they grew at last to resemble one another feature for feature—become smaller and smaller-eyed as their acquaintance with the small-eyed fishes lengthens? I throw this supposition out as a subject for speculation for some future Lavater. Among the buyers I notice one remarkable individual, unpretending as to facial development, but whose costume presents a singular mixture of the equine and the piscine. Lo! his hat is tall and shiny, even as the hat of a frequenter of Newmarket and an _habitué_ of Aldridge’s Repository, and his eminently sporting-looking neckcloth is fastened with a horse-shoe pin; but then his sleeves are as the sleeves of a fishmonger, and his loins are girt with the orthodox blue apron appertaining, by a sort of masonic prescription, to his craft and mystery! His nether man, as far as the spring of the calf, is clad in the galligaskins of an ordinary citizen; but below the knee commence a pair of straight tight boots of undeniably sporting cut. Who is this marvellous compound of the fishy and “horsey” idiosyncrasies? Is he John Scott disguised as Izaak Walton? is he Flatman or Chifney? Tell me, Mr. Chubb, proprietor of the “Golden Perch;” tell me, “Ruff,” mythical author of the “Guide to the Turf”—for knowing not to which authority especially to appeal, I appeal to both, even as did the Roman maid-servant, who burnt one end of the candle to St.