Twice round the clock; or, The hours of the day and night in LondonSala, George Augustus
General
Twice round the clock; or, The hours of the day and night in London
Sala, George Augustus
London (England) -- Social life and customs -- 19th century
The tables form three sides of an oblong quadrangle: sometimes the
horse-shoe form is adopted. In the midst, in a line with the chairman,
and as close to his august presence as is practicable, is a table of some
ten or a dozen _couverts_, devoted to some modestly-attired gentlemen
(some of them not in evening costume at all), whose particular places
are all assigned to them; who for a wonder seem on most intimate terms
mutually, and take wine frequently with one another; who are waited upon
with the most sedulous attention, and have the very best on the table,
both in the way of liquids and solids, at their disposal. They apply
themselves to the consumption of these delicacies with great diligence
and cheerfulness; but they do not seem _quite_ sufficiently impressed
with the commanding merits of the Royal Asylum for Fatuous Monomaniacs.
I wonder what special business brings these gentlemen hither. At some
distance from this table, towards the door, but still in a line with
the chairman, you see a pianoforte, and a couple of music-stands;
partially concealed behind a crimson baize screen, beneath the gallery
at the end, sit some stalwart individuals, of martial appearance, and
superbly attired in scarlet and gold lace, whom you might easily, at
first, mistake for staff officers, but whom their brass trombones and
ophicleides speedily proclaim to be members of the band of one of the
regiments of Guards. And high above all, supported on the sham scagliola
Corinthian columns, with the gilt capitals, is a trellised balcony, full
of ladies in full evening dress. What on earth those dear creatures want
at such gatherings,—what pleasure they can derive from the spectacle
of their husbands and friends over-eating and sometimes over-drinking
themselves, or from the audition of stupid speeches, passes my
comprehension. There they are, however, giggling, fluttering, waving tiny
pocket-handkerchiefs, and striving to mitigate the meaty miasma of the
place by nasal applications to their bouquets or their essence bottles;
and there they will be, I presume, till public dinners go out of fashion
altogether.[7]
[Illustration: SIX O’CLOCK P.M.: A CHARITY DINNER.]
Public-domain text, read in full here on John Shaqi.
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