Three months of neuritis, only kept within bounds by drugs, had made me comparatively indifferent to my surroundings. It was necessary for me to move because I had become intolerant of the friends who exclaimed at my ill looks, and the acquaintances who failed to notice any alteration in me. One sister whom I really loved, and who really loved me, exasperated me by constant visits and ill-concealed anxiety. Another irritated me little less by making light of my ailment and speaking of neuritis in an easy familiar manner as one might of toothache or a corn. I had no natural sleep, and if I were not on the borderland of insanity, I was at least within sight of the home park of inconsequence. Reasoned behaviour was no longer possible, and I knew it was necessary for me to be alone. I do not wish to recall this bad time nor the worse that ante-dated my departure, when I was at the mercy of venal doctors and indifferent nurses, dependent on grudged bad service and overpaid inattention, taking a so-called rest cure. But I do wish to relate a most curious circumstance, or set of circumstances, that made my stay in Pineland memorable, and left me, after my sojourn there, obsessed with the story of which I found the beginning on the first night of my arrival, and the end in the long fevered nights that followed. I myself hardly know how much is true and how much is fiction in this story; for what the _cache_ of letters is responsible, and for what the morphia. The house at Pineland was called Carbies, and it was haunted for me from the first by Margaret Capel and Gabriel Stanton. Quite early in my stay I must have contemplated writing about them, knowing that there was no better way of ridding myself of their phantoms, than by trying to make them substantial in pen and ink. I had their letters and some scraps of an unfinished diary to help me, a notebook with many blank pages, the garrulous reticence of the village apothecary, and the evidence of the sun-washed God’s Acre by the old church. To begin at the beginning. It was a long drive from Pineland station to Carbies. I had sent my maid in advance, but there was no sign of her when my ricketty one-horse fly pulled up at the garden gate of a suburban villa of a house “standing high” it is true, and with “creeper climbing about its white-painted walls.” But otherwise with no more resemblance to the exquisite and secluded cottage _ornée_ I had in my mind, and that the house-agent had portrayed in his letters, than a landscape by Matise to one by Ruysdael.