Twin Tales: Are All Men Alike, and, The Lost TitianStringer, Arthur
General
Twin Tales: Are All Men Alike, and, The Lost Titian
Stringer, Arthur
Canadian fiction
So, having returned to a normal manner of respiration, he proceeded to a
quiet but none the less critical examination of the premises. He was
disturbed, on the whole, by the baldness of the dingy-walled old studio
with its broken and paint-spattered floor and its big north window
entirely out of alignment. There was a long cherrywood table pretty well
littered with brushes and paint-tubes and boxes of pastels and a wooden
manikin and various disjointed portions of the human figure reproduced
in plaster-of-paris. And there was an easel, and an armchair draped in
faded brown velvet, and a number of hammered brass things, and a
castered model-platform, and a bedraggled blue canvas blouse over a
chair-back, and many drawings of very lean ladies and very muscular
young gentlemen thumb-tacked to the walls. And behind the studio, to the
right, was a much more orderly kitchenette, and, to the left, a rather
nun-like little sleeping-alcove with a couch-bed about as wide as a
tombstone.
Uncle Chandler sighed with relief, for he had resolutely keyed himself
up to expect what he’d called “a goulash of the Oriental stuff,” with
ruby lanterns and draped divans and punk-sticks in jade bowls. But Uncle
Chandler found himself in what looked more like a workshop than a
palm-reader’s parlor, and the frown of trouble lightened a little on his
wrinkled old forehead. He even took up an oblong of draughting-board and
was studying a pea-green omnibus going under a _café-au-lait_ Washington
Arch which veered a trifle to the right when the door opened and Teddie
herself came in with a big pigskin portfolio under her arm.
“Hello there, Teddie,” he said guardedly, as he watched her unspear a
turban-thing of twisted velvet from her bobbed hair.
“Hello, Uncle Chandler,” she rather indifferently responded as she put
the pigskin portfolio on the cherrywood table. “How’s the _haute monde_
and your sciatica?”
“How’s _l’art pour l’art_?” almost tartly responded her uncle, noting,
however, with undivulged satisfaction the clear crispness of her
movements and that she was thinner than usual, with an adorable little
Lina-Cavaliera hollow in the center of the cheek where the
butternut-brown had once more blanched into a magnolia-white.
Teddie laughed, without deigning an answer.
“How about some tea?” she said instead. And without waiting for his
reply she lifted out a battered old samovar and pushed the cigarettes
toward his end of the table as she proceeded, somewhat more deftly than
her visitor had anticipated, with the business in hand.
“About those peaches and truffles, Uncle Chandler,” she said as she
stooped to adjust the flickering blue flame. “I sent them back because
I’m out of the flapper class now. It was kind of you, of course. But I’m
no longer a schoolgirl. I’ve cut out that boarding-school stuff. I
intend to be something more than a Strasbourg goose, and if I’m
suffering from any sort of hunger, it’s more a hunger of the soul than
of the body.”
Public-domain text, read in full here on John Shaqi.
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