Twin Tales: Are All Men Alike, and, The Lost TitianStringer, Arthur
General
Twin Tales: Are All Men Alike, and, The Lost Titian
Stringer, Arthur
Canadian fiction
But something else was at the same time being wafted in Teddie’s
direction. It was a tall and handsome stranger in tight-fitting tweeds,
carrying a cane and an air of preoccupation. There was lightness in his
step, notwithstanding his size, and any unseemly amplitude of ventral
contour was fittingly corrected by a tightly laced obesity-belt, just as
the somewhat heavy line of the lips was lightened by a short-trimmed and
airily-pointed mustache. For the stranger was Raoul Uhlan, and Raoul
Uhlan was an artist, though any thoughtless motion-picture director who
had dared to flash him on the screen as a type of his profession would
have been held up to ridicule and reproof. But this particular artist,
who was neither dreamy-eyed nor addicted to velveteen jackets, found the
quest of beauty both a professional and a personal necessity. So when he
beheld a young lady of most unmistakable charm standing beside a
gray-stone retaining wall with a street-peddler’s violet-tray in her
hands, he momentarily forgot about the prospective sitter from
Pittsburgh with whom he was to breakfast. He hove-to in the offing, in
fact, for the seemingly innocent purpose of buying a boutonnière. It
would be gracious, he also decided as he soberly inquired the price of
violets that morning, to give the little thing a thrill. For Raoul often
wondered what it was about him that made him so attractive to women.
“One dollar a bunch,” soberly responded the little thing, in answer to
his question, giving scant evidence of being thrilled. She was uncertain
about prices, and her thoughts, in fact, were fixed on the matter of not
cheating the humble and honest tradesman whose wares had been delegated
to her hands. She noticed the strange man’s momentary wince, but never
dreamed it arose from a confrontation with profiteering. She
nonchalantly took his dollar, however, tucked it into one corner of the
tray, and handed him the violets and the essential pin.
She was quite prepared to repeat the operation with a dandified old
gentleman in pearl spats, who was hovering near, when an officer in
uniform sauntered up and, being out of sorts with the world that
morning, confronted her with a lowering and saturnine brow.
“Yuh gotta license t’ peddle them flowers?” he demanded.
Teddie, in no wise disturbed, explained the situation and further
announced that the gentleman who owned the tray would return
immediately.
Her urbanity, however, was wasted on the Avenue air.
“Yuh just made a sale to this guy here, didn’t yuh?” persisted the
officer of the law, with a none too respectful thumb-jerk toward the
immaculately tweeded figure with the over-sized bouquet in his
button-hole.
“Yes, this is the dollar he paid me,” Teddie sweetly acknowledged.
“That’s enough,” averred her persecutor. “Yuh’re street peddlin’ without
a license. So yuh’ll have to come along wit’ me.”
Public-domain text, read in full here on John Shaqi.
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