Twin Tales: Are All Men Alike, and, The Lost TitianStringer, Arthur
General
Twin Tales: Are All Men Alike, and, The Lost Titian
Stringer, Arthur
Canadian fiction
“But, odd as it may seem, I rather want my nineteen dollars,” maintained
Teddie, with an intent gaze down the side-street.
“Your nineteen dollars and seventy-five cents,” corrected the man in
tweeds, not forgetful of a recent extortion.
“Yuh’re likely to clap eyes on that Dago again, ain’t yuh!” The open
scorn of the officer was monumental. “He’ll be spendin’ what’s left of
his days tryin’ to ferret yuh out, I s’pose, wastin’ his young life away
battlin’ to get that easy coin back to yuh! What he’s breakin’ now isn’t
a twenty-dollar bill, my gerrl, but a travelin’ record down to the Third
Ward. And I guess the sooner yuh come along wit’ me, and the quieter yuh
come, the better.”
“But you really can’t do this sort of thing, you know, Officer,” the man
in tweeds interposed. “This girl——”
“Yuh shut your trap,” announced the upholder of law and order, with an
indifferent side-glance at the interloper, “or I’ll gather yuh in wit’
the dame here.”
“That’s an eventuality which I’d rather welcome,” averred the other,
with his blood up.
“All right, then, come along, the both o’ yuh,” was the prompt and easy
response. “And come quick or I’ll make it a double pinch for blockin’
traffic.”
But Raoul Uhlan, clinging to what was left of his dignity, insisted on
calling a taxi-cab (which Teddie paid for when they arrived at the
Forty-Seventh Street station-house) and in transit managed to say many
soothing and valorous things, so that by the time Teddie stood before a
somewhat grim-looking desk in the neighboring receiving depot for
miscreants, her courage had come back to her and she didn’t even resort
to home addresses and influences for a short-cut out of her difficulty.
She soon had the satisfaction, indeed, of seeing her moody patrolman
picturesquely berated by his higher official behind the desk, who
apologized for retaining the dollar bill and the tray of violets and
announced that as there was no case and no charge against her—which any
one but a pin-headed flatty with a double-barreled grouch could have
seen!—she was quite free to enjoy the morning air once more.
So Teddie sallied forth with a great load off her mind and with Raoul
Uhlan at her side. And the latter, instead of breakfasting with the
plutocrat from Pittsburgh who wished to perpetuate his obesity in oils,
sent a polite fib of explanation over the wires which were more or less
inured to such things, and carried Teddie off to luncheon at the
Brevoort, where he learned that she was one of the Haydens of Tuxedo and
had a studio on the fringe of Greenwich Village and wanted to paint. And
before she quite knew how it had all been arranged it was agreed that
Uhlan was to come three times a week and give her lessons in Art, for
the sake of Art.
CHAPTER FIVE
Public-domain text, read in full here on John Shaqi.
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