Twin Tales: Are All Men Alike, and, The Lost TitianStringer, Arthur
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Twin Tales: Are All Men Alike, and, The Lost Titian
Stringer, Arthur
Canadian fiction
When he stood close behind her, as she still sat confronting her sketch,
and, as he talked, placed his left hand on the shoulder of her blue
canvas blouse, and then, leaning closer, caught in his big bony hand her
small hand that held the pencil, to guide it along the line it seemed
unable to follow, she told herself that he was merely intent on
correcting her drawing. But a trouble, vague and small as the worry of a
mouse behind midnight wainscotting, began to nibble at her heart. For
that enclosing big hand was holding her own longer than need be, that
small horripilating disturbance of her hair was something more than
accidental. The small nibble of trouble grew into something disturbing,
something almost momentous, something to be stopped without loss of
time.
She got up sidewise from her chair, with a half-twist of the torso that
was an inheritance from her basket-ball days. It freed her without
obvious effort from all contact with the over-intimate leaning figure.
She even retained possession of the crayon-pencil, which she put down
beside her Nile-green brush-bowl after crossing the room to the
blackwooded console between the two windows.
“I guess that will about do us for to-day, won’t it?” she said in her
quiet and slightly reedy voice as she proceeded, with deluding grave
impersonality, to open one of the windows.
But he crossed the room after her and stood close beside her at the
window. He towered above her in his bigness like something taurine,
alert and yet ponderously calm.
“Why are you afraid of me?” he asked, with his eyes on the
gardenia-white oval of her cheek.
“I’m not,” she replied with a crisp small laugh like the stirring of
chopped ice in a wine-cooler. “I’m not in the least afraid of you.”
A less obtuse man would have been chilled by the scorn in her voice. But
Uhlan was too sure of his ground, his all too familiar ground, to heed
side-issues.
“It’s you who makes me afraid of myself,” he murmured, stooping closer
to her. He spoke quite collectedly, though his face was a shade paler
than before.
“You said to-morrow at three, I believe,” she observed in an icily
abstracted voice. That tone, she remembered, had always served its
purpose. It was conclusive, coolly dismissive. For she still refused to
dignify that approach with opposition. She declined to recognize it,
much less to combat it.
“Did I?” he said in a genuinely abstracted whisper, for his mind was not
on what he said or heard. His mind, indeed, was fixed on only one thing.
And that was her utterly defenseless loveliness. The blackness of his
pupils and the aquiline cruelty about the corner of his eyes frightened
her even more than his pallor.
But she did not give way to panic, for to do so was not the custom of
her kind. She fought down her sudden weak impulse to cry out, her
equally absurd propulsion to flight, her even more ridiculous temptation
to break the window-panes in front of her with her clenched fist and
scream for help.
Public-domain text, read in full here on John Shaqi.
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