Twin Tales: Are All Men Alike, and, The Lost Titian — John Shaqi
Twin Tales: Are All Men Alike, and, The Lost TitianStringer, Arthur
General
Twin Tales: Are All Men Alike, and, The Lost Titian
Stringer, Arthur
Canadian fiction
“And what,” demanded Teddie in the most businesslike tone of which she
was capable, “will you expect me to pay you for this?”
“Pay me?” repeated Gunboat Dorgan, wheeling about on her. “Who said
anything about a purse in this bout? I’m not doin’ this for pay.”
“Then what are you doing it for?” asked the slightly perplexed Teddie.
“I’m doin’ it for _yuh_!” asserted Gunboat, leaning fraternally over the
table-end.
“I’ve that little club-roadster of my own,” the entirely unpractical
Teddie rather feebly suggested, feeling the appropriateness of some
effort to depersonalize the issue. “It wouldn’t be pay, of course. But
when you and Ruby settle down in your flat it would be nice for running
out into the country in hot weather. You’d take _that_, surely?”
Gunboat essayed a hand-movement of repudiation which he’d seen quite
often in the movies. He was warmly conscious, in fact, of an appeasing
touch of the theatrical in this knight-errantry that had bobbed so
unexpectedly up at the tail end of a humdrum morning of dub-drilling and
bag-punching.
“Noth-thing doin’!” he said with decision. “I get enough out of it when
I see that stiff go to the mat. Yuh say he’s goin’ to horn in here at
three o’clock. Well, I’ll breeze in at three-two, railroad time. And
I’ll learn him to think twice before he flies that zooin’-bug around a
girl who’s been born and bred a lady!”
And even Teddie, as she stood up and shook hands with her new-found
champion, was troubled by a vague yet persistent touch of theatricality
about the situation as a whole. But she had made her decision, and she
intended to stick to it.
She watched Gunboat step to the door, with his hat in his hand, come to
a stop, and then step back to the table-end.
“Say,” he said with a slightly self-conscious and not altogether heroic
look on his face, “don’t say anything to—to Miss Reamer about this,
lady, if yuh don’t mind. It’s not that I’ve got anything to hide. But
yuh know what women are!”
And, with an even more fraternal nod of the head, he passed out through
the door with his peculiarly light and panther-like tread, and was gone.
CHAPTER SEVEN
“Come in,” said Teddie, rather shakily.
The bronze Moorish knocker on her studio-door had sounded ominously
through the quietness, and even that second wind of courage which had
come to her at the eleventh hour seemed to vanish before a sudden and
rather breathless sense of impending culmination, not unlike that which
once thrilled her childish body when an asbestos stage-curtain rolled
up.
For thirty tense minutes, indeed, Teddie had been doing her best to work
on a sketch of the Macauley Mission by Moonlight, slightly bewildered by
the discovery that an ineradicable quaver in her fingers was giving
uninvited Childe-Hassan vibrations to her lines. And now she had no need
to look still again at her watch to become aware of the fact that it was
exactly three minutes to three.
Public-domain text, read in full here on John Shaqi.
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