The ladies of Jacobus’s household evidently spent their days in light
attire. This stumpy old woman with a face like a large wrinkled lemon,
beady eyes, and a shock of iron-grey hair, was dressed in a garment of
some ash-coloured, silky, light stuff. It fell from her thick neck down
to her toes with the simplicity of an unadorned nightgown. It made her
appear truly cylindrical. She exclaimed: “How did you get here?”
Before I could say a word she vanished and presently I heard a confusion
of shrill protestations in a distant part of the house. Obviously no one
could tell her how I got there. In a moment, with great outcries from
two negro women following her, she waddled back to the doorway,
infuriated.
“What do you want here?”
I turned to the girl. She was sitting straight up now, her hands posed
on the arms of the chair. I appealed to her.
“Surely, Miss Alice, you will not let them drive me out into the street?”
Her magnificent black eyes, narrowed, long in shape, swept over me with
an indefinable expression, then in a harsh, contemptuous voice she let
fall in French a sort of explanation:
“_C’est papa_.”
I made another low bow to the old woman.
She turned her back on me in order to drive away her black henchwomen,
then surveying my person in a peculiar manner with one small eye nearly
closed and her face all drawn up on that side as if with a twinge of
toothache, she stepped out on the verandah, sat down in a rocking-chair
some distance away, and took up her knitting from a little table. Before
she started at it she plunged one of the needles into the mop of her grey
hair and stirred it vigorously.
Her elementary nightgown-sort of frock clung to her ancient, stumpy, and
floating form. She wore white cotton stockings and flat brown velvet
slippers. Her feet and ankles were obtrusively visible on the foot-rest.
She began to rock herself slightly, while she knitted. I had resumed my
seat and kept quiet, for I mistrusted that old woman. What if she
ordered me to depart? She seemed capable of any outrage. She had
snorted once or twice; she was knitting violently. Suddenly she piped at
the young girl in French a question which I translate colloquially:
“What’s your father up to, now?”
The young creature shrugged her shoulders so comprehensively that her
whole body swayed within the loose wrapper; and in that unexpectedly
harsh voice which yet had a seductive quality to the senses, like certain
kinds of natural rough wines one drinks with pleasure:
“It’s some captain. Leave me alone—will you!”
The chair rocked quicker, the old, thin voice was like a whistle.
“You and your father make a pair. He would stick at nothing—that’s well
known. But I didn’t expect this.”
I thought it high time to air some of my own French. I remarked
modestly, but firmly, that this was business. I had some matters to talk
over with Mr. Jacobus.
Public-domain text, read in full here on John Shaqi.
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