Two Dramatizations from Vergil: I. Dido—the Phœnecian Queen; II. The Fall of TroyVirgil
General
Two Dramatizations from Vergil: I. Dido—the Phœnecian Queen; II. The Fall of Troy
Virgil
Dido (Legendary character) -- Drama; Epic poetry, Latin -- Adaptations; Trojan War -- Drama; Virgil -- Adaptations
Dido’s chamber. At the left, in front, is a shrine (1). An antique bust
with an inscription above it, visible in the light from the glowing
censer, indicates that it is sacred to Synchæus. Two broad steps raise
it slightly from the level of the stage. On the same side in the middle
a door (2), flanked by half columns. At the right, first wing, a door
(3); half-way back on the same side (4), a curtained recess in which are
hung Dido’s brilliant robes. In the center of the background (5), is a
window overlooking the city and harbor, which show in the distance when
the window is opened. It is reached by two steps covered with rugs, and
the seats about the three sides of the recess are richly upholstered in
green and gray.
Anna and Dido both wear simple white, while Barce, the aged nurse, is
clad plainly in brown.
Barce lies asleep on a couch near the shrine, her face lighted by the
glowing flame. Anna is asleep on a couch in the foreground.
Dido sits at the window in the moonlight, looking out into the night.
She gets up and moves restlessly about the room. She kneels before the
altar, replenishing the incense. She comes finally to her sister, and,
wakening her, tells of her struggle against the new love.
_Dido_ (IV. 9-29):
O sister, what dread visions of the night invade
My troubled soul! What of this stranger lodged within
Our halls, how noble in his mien, how brave in heart,
Of what puissant arms! From heav’n in truth his race
Must be derived, for fear betokens low-born souls.
Alas, how tempest-tossed of fate was he! How to
The dregs the bitter cup of war’s reverses hath
He drained! If in my soul the purpose were not fixed
That not to any suitor would I yield myself
In wedlock, since the time when he who won my love
Was reft away, perchance I might have yielded now.
For sister, I confess it, since my husband’s fate,
Since that sad day when by his blood my father’s house
Was sprinkled, this of all men has my feelings moved.
Again I feel the force of passion’s sway. But no!
May I be gulfed within earth’s yawning depths; may Jove
Almighty hurl me with his thunders to the shades,
The pallid shades of Erebus and night profound,
Before, O constancy, I violate thy laws!
He took my heart who first engaged my maiden love.
Still may he keep his own, and in the silent tomb
Preserve my love inviolate.—
_Anna_ (31-53):
Public-domain text, read in full here on John Shaqi.
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