Two Dramatizations from Vergil: I. Dido—the Phœnecian Queen; II. The Fall of Troy — John Shaqi
Two Dramatizations from Vergil: I. Dido—the Phœnecian Queen; II. The Fall of TroyVirgil
General
Two Dramatizations from Vergil: I. Dido—the Phœnecian Queen; II. The Fall of Troy
Virgil
Dido (Legendary character) -- Drama; Epic poetry, Latin -- Adaptations; Trojan War -- Drama; Virgil -- Adaptations
O dearer to thy sister than the light of life,
Wilt thou consume thy youth in loneliness and grief,
And never know the sacred joys of motherhood,
The sweets of love? And dost thou think, that in the tomb
Thy husband’s sleeping spirit recks of this? Let be,
That never yet have other suitors moved thy heart
Which long has scorned the lords of Libya and of Tyre;
Let prince Iarbas be rejected and the lords
Of Africa’s heroic land: wilt still against
A pleasing love contend? And hast considered then
Whose are the powers upon the borders of thy realm?
Here are Gætulia’s cities, matchless race in war;
Here wild Numidians hedge thee round, and Ocean’s shoals;
While yonder lies the sandy desert parched and wild,
Where fierce Barcæans range. Why need I mention Tyre’s
Dark-looming cloud of war, thy brother’s threats? For me,
I think that through the favor of the gods and care
Of Juno hath Æneas drifted to our shores.
And to what glory shalt thou see thy city rise,
What strong far-reaching sway upreared on such a tie!
Assisted by the Trojan arms, our youthful state
Up to the very pinnacle of fame shall soar.
Then pray the favor of the gods, and give its due
To sacred hospitality. Lo, to thy hand
Is cause of dalliance, while still the blustering winds
Of winter sweep the sea, Orion’s storms prevail,
Their fleet is shattered, and the frowning heavens lower.
Dido, during this speech, has gone to her husband’s shrine. There is a
mighty struggle in her soul between love and duty.
Barce, wakened from her sleep and seeing her mistress pale and
anguish-stricken, throws herself before her. Dido finally yields and
reaches her trembling hand to quench the censer. The old nurse clings to
her in terrified appeal. Dido frees herself from her. She quenches the
flame and draws the curtain before the shrine. Old Barce sits sobbing
before the darkened altar.
Meanwhile the light has been changing into dawn and the sea and harbor
begin to be visible through the open window. Dido crosses the chamber,
and after a moment’s struggle draws back the curtains from before the
recess where hang the brilliant garments laid aside during her
widowhood. She takes down a purple mantle, and standing before a mirror,
girds it about her with a golden girdle.
The sound of a trumpet and the shouts of the sailors are heard in the
distance. Anna goes to the window, and seeing Æneas and his men below on
the shore, draws Dido to the window. Dido gazes for a minute and then,
filled with her new passion, goes forth with her sister to meet Æneas.
Curtain.
ACT II. SCENE 2
[Illustration]
Public-domain text, read in full here on John Shaqi.
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