Two Dramatizations from Vergil: I. Dido—the Phœnecian Queen; II. The Fall of Troy — John Shaqi
Two Dramatizations from Vergil: I. Dido—the Phœnecian Queen; II. The Fall of TroyVirgil
General
Two Dramatizations from Vergil: I. Dido—the Phœnecian Queen; II. The Fall of Troy
Virgil
Dido (Legendary character) -- Drama; Epic poetry, Latin -- Adaptations; Trojan War -- Drama; Virgil -- Adaptations
Venus assents, and, bending over the sleeping boy, shows by a satiric
smile that she perceives the purpose of her rival. Curtain.
ACT II. SCENE 3
A forest scene. Huge trees and moss-grown rocks. Across the back, a
cliff in the face of which at the last wing on the left is the opening
to a mighty cavern. Through the trees growing along the summit of this
cliff, comes the shimmer of the distant sea.
Far and near through all the forest, trumpets are sounding. Attendants
armed with spears and nets, and with hounds in leash for the chase,
hurry across the scene. Dido, Anna, Æneas, Ascanius, followed by the
entire court in brilliant array, cross the scene amid the flourish of
trumpets.
All the costumes are very brilliant with gold, purple, deep blue, and
wood green. Dido is dressed in purple and gold, Anna in brown and green
with a leopard skin instead of a himation. Æneas is in full armor. All
the Trojans and Carthaginians are dressed and armed for the chase.
One of the attendants has seated himself in the foreground to mend his
broken bow. As the sound of the trumpets grows fainter, a band of
Carthaginian youth, hurrying to join the hunt, descry him and stop to
laugh at him, because he is left behind. He throws down his bow in
disgust, and points in the direction of the hunt with a gesture of
impatience.
_Attendant_ (191-194):
Now look you, to our shores has come this Trojan prince
Whom Dido, our fair queen, has taken as her lord.
And now in dalliance fond the winter’s days they spend,
Unmindful of their heaven-appointed destinies,
And taken in the subtle snare of base desire.
Approval on the part of all the youth.
Meanwhile it has grown darker, and there comes a crash of thunder. All
flee in terror. As the storm increases, the courtiers flee across the
scene in every direction. The trumpets are heard calling through all the
woods.
At last, amid the crash of thunder and the roar of the tempest, Dido and
Æneas enter, seeking a place of shelter. Discovering the cavern, they
flee to that. Lightning flashes, the thunder roars, the wild cries of
the nymphs are heard.
The scene closes in almost utter darkness. Curtain.
ACT III
ACT III. SCENE 1
[Illustration]
The temple of Jupiter Ammon in Libya. In the center of the stage an
altar (1), raised high from the level of the stage by four broad steps
(2). Pillars of barbaric form and decoration at the first and second
wings (3), between which are hung curtains (4) of rich, oriental
pattern. At the second wing a wall (5) joins the two pillars. In the
distance (6), across a wide tract of desert, Carthage can be seen,
showing only as a cluster of glimmering lights except when the lightning
flashes fitfully along the horizon. The scene is lighted only by the
glare of the altar fire.
Iarbas wears a robe of scarlet worked in gold.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account