English fiction -- 20th century; Short stories, English
"And then I came into the room. They were discussing botany. I said how
I'd seen a flower growing on a dust heap on the site of an old house in
Kingsway. The seed, I said, must have been sown in the reign of Charles
the First. What flowers grew in the reign of Charles the First? I
asked--(but I don't remember the answer). Tall flowers with purple
tassels to them perhaps. And so it goes on. All the time I'm dressing up
the figure of myself in my own mind lovingly, stealthily, not openly
adoring it, for if I did that, I should catch myself out, and stretch my
hand at once for a book in self protection. Indeed, it is curious how
instinctively one protects the image of oneself from idolatry or any
other handling that could make it ridiculous, or too unlike the original
to be believed in any longer. Or is it not so very curious after all? It
is a matter of great importance. Suppose the looking glass smashes, the
image disappears, and the romantic figure with the green of forest
depths all about it is there no longer, but only that shell of a person
which is seen by other people--what an airless shallow, bald, prominent
world it becomes! A world not to be lived in. As we face each other in
omnibuses and underground railways we are looking into the mirror; that
accounts for the expression in our vague and almost glassy eyes. And the
novelists in future will realise more and more the importance of these
reflections, for of course there is not one reflection but an almost
infinite number; those are the depths they will explore, those the
phantoms they will pursue, leaving the description of reality more and
more out of their stories, taking a knowledge of it for granted, as the
Greeks did and Shakespeare perhaps; but these generalisations are very
worthless. The military sound of the word is enough. It recalls leading
articles, cabinet ministers--a whole class of things indeed which as a
child one thought the thing itself, the standard thing, the real thing,
from which one could not depart save at the risk of nameless damnation.
Generalisations bring back somehow Sunday in London, Sunday afternoon
walks, Sunday luncheons, and also ways of speaking of the dead, clothes
and habits--like the habit of sitting all together in one room until a
certain hour, although nobody liked it. There was a rule for everything.
The rule for tablecloths at that particular period was that they should
be made of tapestry with little yellow compartments marked upon them,
such as you may see in photographs of the carpets in the corridors of
the royal palaces. Tablecloths of a different kind were not real
tablecloths. How shocking and yet how wonderful it was to discover that
these real things, Sunday luncheons, Sunday walks, country houses, and
tablecloths were not entirely real, were indeed half phantoms, and the
damnation which visited the disbeliever in them was only a sense of
illegitimate freedom. What now takes the place of those things, I
Public-domain text, read in full here on John Shaqi.
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