English fiction -- 20th century; Short stories, English
wonder, those real standard things? Men perhaps, should you be a woman;
the masculine point of view which governs our lives, which sets the
standard, which establishes Whitaker's Table of Precedency, which has
become, I suppose, since the war half a phantom to many men and women,
which soon one may hope will be laughed into the dustbin where the
phantoms go, the mahogany sideboards and Landseer prints, Gods and
Devils, Hell and so forth, leaving us all with an intoxicating sense of
illegitimate freedom--if freedom exists.
In certain lights, that mark on the wall seems actually to project from
the wall. Nor is it entirely circular. I cannot be sure, but it seems to
cast a perceptible shadow, suggesting that if I ran my finger down that
strip of the wall it would at a certain point mount and descend a small
tumulus, a smooth tumulus like those barrows on the South Downs which
are, they say, either tombs or camps. Of the two I should prefer them to
be tombs, desiring melancholy like most English people and finding it
natural at the end of a walk to think of the bones stretched beneath the
turf. There must be some book about it. Some antiquary must have dug up
those bones and given them a name. What sort of man is an antiquary, I
wonder? Retired colonels for the most part, I daresay, leading parties
of aged labourers to the top here, examining clods of earth and stone,
and getting into correspondence with the neighbouring clergy, which
being opened at breakfast time gives them a feeling of importance, and
the comparison of arrowheads necessitates cross country journeys to the
county towns, an agreeable necessity both to them and to their elderly
wives, who wish to make plum jam, or to clean out the study, and have
every reason for keeping that great question of the camp or the tomb in
perpetual suspension, while the Colonel himself feels agreeably
philosophic in accumulating evidence on both sides of the question. It
is true that he does finally incline to believe in the camp; and, being
opposed, casts all his arrowheads into one scale, and being still
further opposed, indites a pamphlet which he is about to read at the
quarterly meeting of the local society when a stroke lays him low, and
his last conscious thoughts are not of wire or child, but of the camp
and that arrow-head there which is now in the case at the local museum,
together with the hand of a Chinese murderess, a handful of Elizabethan
nails, a great many Tudor clay pipes a piece of Roman pottery, and the
wine-glass that Nelson drank out of--proving I really don't know what.
Public-domain text, read in full here on John Shaqi.
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