England -- Social life and customs -- 19th century -- Fiction; Love stories; Man-woman relationships -- Fiction; Painters -- Fiction
"Perhaps. I don't know," said the other, doubtfully. "There are all
your things; what shall you do?"
"Only his head. But I wish his hat wasn't a necessity for you. It is,
I suppose?"
"Yes, my dear, an absolute necessity. You needn't mind so much, though,
for his hair is quite short."
"Short? How very odd! How--"
Kitty interposed with a pretty little motion of her hand.
"I really think he has rested long enough. Will you please stand
again?" she said in her young, clear voice.
Everitt rose with decided unwillingness. He was reluctant to face Miss
Aitcheson, and began to think that what he had undertaken so lightly
might turn out a serious matter. A hundred possibilities flashed
through his mind: and then, it annoyed him that Miss Aitcheson placed
herself where he could not judge whether she made any discoveries or
not.
Still, he got through this hour better than the last.
There can be no doubt that silence is a power of which we underrate the
force. Hours of ordinary small talk would not have affected Everitt so
strongly as these quiet moments in the old oak-panelled room, with the
sunlight, the birds, and the children outside; and inside, this girl--
for he could not see her companion--working steadily, and, he was sure,
well, with quiet, simple intentness. Sometimes she stepped back a foot
or two, and stood looking from her picture at him, throwing back her
head, and showing clearly the soft whiteness of her throat and the
pretty shape of her head. Instead of looking before him at his unseen
comrades, he more than once found himself watching her with steady
interest, and thinking in what fashion he would paint her if he got the
chance. Standing as she was standing now, he determined, for it was
difficult to conceive anything prettier.
Suddenly Sandy, who had given himself over to sleep to avoid looking at
Everitt, jumped up, pricked his ears, trotted to the door, and stood
with his head on one side. Then a step was heard coming heavily along
the passage.
"That's my father," said Bell. "He has come here to talk over something
or other, and he said he'd look in. Don't mind him, Kitty; go on."
"I don't know if I can," Kitty answered a little nervously.
The answer surprised Everitt for a moment; the next he understood. The
new-comer was an upright, square, red-faced man, and when he came in he
seemed to bring with him a dozen elements of disturbance. His boots
creaked, his voice was loud.
Public-domain text, read in full here on John Shaqi.
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