England -- Social life and customs -- 19th century -- Fiction; Love stories; Man-woman relationships -- Fiction; Painters -- Fiction
"It has broken out, and is shining on the pools of water in the road."
Everitt felt much more capable of criticising and suggesting than of
posing as she desired, but there was no help for it. She had even
looked a little astonished at receiving his last remark. He exerted
himself now to stand in such a position that he could see her at work at
her easel, and he was sufficiently experienced to be able to judge from
her manner of handling her brush that she worked with vigour and
freedom. He was conscious at the same time that he was not himself a
good model; he even suspected that he now and then read a little
disappointment in her face. Keeping his arm raised was fatiguing; he
knew that he swayed, then began to feel as if pins and needles were all
about him, then as though he were turned to stone. The ordinary hour
had seemed to double itself before Miss Lascelles inquired gently
whether he wished to rest. Rest! Never had the word a sweeter sound.
He sat down by the window. Outside and below there was a little
old-fashioned garden with a brick wall and gravel paths. Two or three
children ran out into these paths, and began a joyful onslaught upon
square little plots where mustard and cress were sprouting into
different combinations of the letter L. Further on a swing was fastened
between two fine elm trees which grew out of the turf. There was a
great deal of sunshine, and as yet little shade: only a finely outlined
delicate network of shadows cast by the branches on the grass. Everitt
had never in his life been more glad to sit down, and he thought the
look-out delightful.
Presently the door opened, and another young lady came in.
He looked round idly, but the next moment a very disagreeable sensation
shot through him. He recognised her at once--the girl who had come to
his studio with Mrs Marchmont. Supposing she also remembered him?
What a fool he had been not to take such a possibility into account!
Good Heavens! what was to prevent Mrs Marchmont herself from arriving?
He took refuge in the garden, and in a corner of his cloak, horribly
conscious that in a few minutes he would have to stand up before her
with the full light striking upon him. But if she did not know him at
the first glance, she might become more hesitating and confused the
longer she thought of it; and he trusted a good deal to his hat.
Meanwhile the two girls were talking, too low for him to hear.
"Well, Kitty, are you satisfied?"
"I'm not sure. It's a good dress--isn't it? But, Bell, he's not--I
assure you, he's not--a good model."
"Not?" repeated Bell. "Mr Everitt seemed to think him splendid. He
said he was the best possible, but,"--lowering her voice--"a dreadful
ruffian."
"He is a very mild-looking ruffian, then."
"Oh, Kitty, there's a horrid expression in his eye!"
"Put it in, then; I can't see it. But he can't stand--he fidgets. He
wanted to rest long before the hour."
"That," said Bell, severely, "was laziness."
Public-domain text, read in full here on John Shaqi.
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