England -- Social life and customs -- 19th century -- Fiction; Love stories; Man-woman relationships -- Fiction; Painters -- Fiction
As Everitt walked home he was a prey to many conflicting feelings. It
must be owned that he had entered upon this freak of his in a very
inconsequent manner; he had not so much as reflected what results might
not grow out of the necessity for repeating it. Moreover, he had lost
the first sense of amusement in his masquerade, and hated the business.
Why on earth had he not accepted Mrs Marchmont's proposal, gone with
her to see Miss Lascelles, and avoided this extremely false position in
which he had planted himself?
Why, indeed!
As it was, it was with a feeling of rage that he thought of the next
day, when he would be expected to stand up again before her--like a
fool, as he said bitterly. Besides, it was a great deal more
uncomfortable than he had expected--he was still cramped and stiff from
the position. He made a swift resolution to have nothing more to do
with it. It was easy enough to write a letter, as coming from him--
Everitt--to say that the model could not be spared, but that he would do
his best to send her another in a day or two. That was certainly what
he would do.
The relief of the decision did not, however, last long.
It was all very well to throw up the engagement, but was it fair upon
Miss Lascelles? Everitt knew by experience that one model was by no
means the same as another, and, as artist, he found his solution
questionable. Also, he now felt an insurmountable objection to
introducing the real Giuseppe to that little studio--it had an air of
desecration repugnant to his good taste, if to nothing more. And
thirdly, in spite of fooling, in spite of cramps, it must be owned he
had a lurking desire to find himself there again; the homeliness of the
place, its old-fashioned solidity, its mellow brick, its sunshine, its
trees, its birds, its associations--one and all had, as he was obliged
to acknowledge, taken a certain hold on his imagination. The girls were
merely an accident--a pleasant and harmonious accident, it is true--but
their surroundings had an extraordinary fascination; he could not
reconcile himself to have no second peep at them. Mrs Marchmont might
no doubt take him there if he announced himself as penitent for
rejection of her good offices; stupidly enough, however, he had
effectually shut himself out, since the risk of discovery in going to
call upon the lady who has been painting you in an assumed character was
rather more than even his audacity could face.
It appeared, under all these circumstances, as if the best thing he
could do was to figure as a ruffian once more.
"It will be a lesson to me," he said, with a half laugh, "even if fate
lets me off this time without playing me a scurvy trick."
Fate spared him. He got into his studio unseen of Hill or Jack. Jack
came thundering at his door not three minutes after he had changed his
clothes.
Public-domain text, read in full here on John Shaqi.
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