England -- Social life and customs -- 19th century -- Fiction; Love stories; Man-woman relationships -- Fiction; Painters -- Fiction
"A pretty fellow you are!" he began indignantly, when Everitt let him
in. "Out larking all this morning, while we poor wretches toil and
slave! And down upon me for taking an hour now and then! Where have
you been?"
"Find out," said Everitt, grimly.
"A polite way of suggesting that I should mind my own business. Well,
it's my turn now. I'm off. But as I am more civil than you, I will
inform you that I am going to study effects on the Thames. Silvery
reaches, sweeping clouds--all that style of thing. Excellent practice,
isn't it?"
"Oh, excellent," Everitt said in the same tone; "especially studied as
you will study them. What a fool you are, Jack, to fling away your
chances!"
"Turn and turn about," said Jack. "It's a heavenly day, and you've had
your go at it. I'm off."
He marched away, stopped at the door, scrawled a spirited charcoal
caricature of Everitt on a spare board, ducked to avoid a mahl-stick
which was promptly flung at his head, and whistled himself out of
hearing.
"Pont-aven," reflected Everitt. But somehow the notion of the little
fishing-village, with its colony of artists, its wealth of models, its
picturesque points, its wind-tossed seas, had lost a charm which the day
before had seemed, irresistible. It might be good for Jack, it might
not. He had that talent for idleness which can extract it under almost
any pressure of circumstances. It was exceedingly likely that he would
succeed in amusing himself very well at Pont-aven--probably learn to
handle a boat like a native, and all the while avoid steady work with
all his present ingenuity. In that case, there was not much use in
going. Of his yesterday's wish to be off on his own account, of his
sickening over his Saturdays, of his general impatience with London--
Everitt remembered nothing. It seemed to him, on the contrary, that few
places were so good to live in, and he hoped that Mary Marchmont might
come again on Saturday. Then he looked round upon his walls with
dissatisfaction. There were beautiful and costly things hanging about
in finely harmonised colours, rich curtains, ancient rugs, and Arabic
lamps; there were choice pictures, and two or three admirable bronzes
from a neighbouring studio; but it seemed to him that, in spite of the
value of these things and their artistic beauty, the place had no touch
of the charm which belonged to the little room in which he had found
himself that morning--a room which was so simple, so unassuming, and so
cheerful!
In short, it was evident that he had received an impression.
This was all very well, but it was equally evident that he could not
have produced one, except in the character of a ruffian; and that,
moreover, he had himself cut away the ground from under his feet. It is
true he did not get so far as to admit that this gave him more than a
general reason for annoyance, but he did feel that a good-natured
impulse had placed him in a hateful position from which he could not
even now retire.
Public-domain text, read in full here on John Shaqi.
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